48 pages • 1 hour read
Cummins briefly recounts the history of the Old Chain of Rocks Bridge. Once part of Route 66, it was shut down in 1968, and by 1991 it was frequented only by graffiti artists and adolescents. On one side of the Mississippi River is Missouri; Illinois lies on the other side.
Julie, Robin, and Tom pass through a cut in the chain-link fence that blocks access to the bridge, and they walk across it, over the river. Meanwhile, Gray, Clemons, Richardson, and Winfrey walk near the Illinois end of the bridge before they turn back, toward Julie, Robin, and Tom. Julie admires the hodgepodge of competing graffiti and feels honored to have her poem among them.
They find the poem, written in large white letters across the deck of the bridge. The poem is a “Spike Lee-inspired poem about the universality of humanity, a plea for understanding and an end to racism” (43). Tom tears up after reading it. They hear voices and retreat to the shadows, fearing the police. Gray walks up to Julie, sticks out his hand, and smiles. They exchange introductions, and Gray and Richardson suggest they continue out toward the center of the bridge, where the graffiti is particularly beautiful. After a time, the two groups part ways amicably, and Julie, Robin, and Tom continue further toward the center of the bridge.
Gray and his friends quickly decide to turn back to rob Julie, Robin, and Tom, “completely unconcerned about the horrors they were about to unleash” (46). Gray hands out condoms to Clemons and Richardson, and Winfrey reluctantly takes one. Later, Julie, Robin, and Tom approach the far end of the bridge when they hear voices, again fearing the police. They feel relieved to see the four men approaching again.
After another pleasant exchange, they walk back toward the Missouri side of the river. As they reach the darkest, most secluded part of the bridge, Julie worries that the four men are following them. She expresses this to Tom and Robin furtively, but Gray notices.
In an instant, Gray grabs Tom, and the other men seize Julie and Robin, dragging them away from Tom. Gray throws Tom down, puts his boot on his neck, and threatens to shoot him if he moves. Tom realizes his cousins are being raped further down the bridge. Gray leaves Tom as one of the other men comes to replace him, and Gray walks over to the girls. Next, Winfrey comes to watch Tom, sitting on him and taunting him.
Tom overhears the other men discussing who they should kill first. Clemons approaches and kicks Tom repeatedly in the side. Clemons tells Tom that he just raped his girl and asks him how it feels. He kicks Tom again and orders him up. He leads Tom 50 feet down the bridge to an open manhole cover. He is thrown down again, and one of the men tells him he likes him and that he will let him live. They argue about whether to murder him. Winfrey asks conversationally if things like this happen in DC.
They force him down the manhole, where he sees Julie and Robin lying nude on the sub-deck. He is forced to lie down with them. Julie tries to comfort Robin. Clemons and Richardson drop down onto the sub-deck catwalk with them. Clemons forces them out onto the narrow concrete pier, as the three attempt to comfort one another. Clemons forces them to separate, and he pushes Julie over the edge while Robin and Tom can only watch. Then he violently strikes Robin, pushing her over as well. Tom turns and stares at Richardson’s smug face. Richardson tells him “Jump, or...,” and Tom steps off the bridge without hesitation, expecting to be shot (58).
Cummins explains that the Old Chain of Rocks Bridge is named for a line of massive boulders below that makes it one of the deadliest stretches of the Mississippi River. Tom does not know how deadly the drop is as he plummets into the river. He miraculously survives the fall and makes it to the surface. He sees Julie behind him, who screams for Robin. Together, they struggle to stay afloat and avoid drowning in the debris-filled rapids. Eventually Tom loses sight of Julie, fearing she has drowned.
After nearly an hour, Tom is finally able to swim to shore. After scaling the steep, slippery riverbank, he realizes he must quickly find help for Julie and Robin. He makes his way through the trees, despite being battered, having a broken hip, and being in shock.
He makes it to a road and, after several cars speed past him, eventually stops a tractor trailer. The driver promises to send the police and drives away. Tom realizes that he is on Riverview Drive, and that his four assailants might likely drive by him here, that he might already have flagged them earlier. He hides back in the overgrowth off the road. He later stops another truck driver, who also promises to send the police. A patrol car eventually finds Tom in response to the two truckers’ calls. A large group of police later show up, and they take Tom back to the bridge.
Meanwhile, on the bridge, Gray congratulates Richardson for being brave in sending the three teenagers to their deaths. Winfrey reflects that he did not really expect his friends to kill them, and he was the only one who did not rape the girls. He begins to panic. The others laugh at him, and they drive off, stopping for cigarettes and sandwiches with the money they stole from Julie and Robin. They smoke a joint, thinking that the three victims must be dead and believing they are safe from consequence.
The Kerry and Cummins families are awoken early by the police, who inform them that there has been an incident with Tom, Julie, and Robin but provide no other information. Gene and Kay, Tom’s parents, leave for the Old Chain of Rocks Bridge. Tink and her sister Kathy are left at their grandparents’ house. Elsewhere, Julie and Robin’s mother Ginna heads out for the bridge.
At the bridge, Tom waits in the back of the ambulance while a morass of police, crime scene investigators, and press congregate outside. As Gene arrives, the scene overwhelms him with worry, even after his years as a soldier, firefighter, and paramedic. He is interrogated with questions about Tom, Julie, and Robin, and he finally demands to know where his son is. The officer explains what has happened to the three teenagers. Gene and Kay are horrified to learn that their nieces are likely dead, before Ginna arrives.
Gene and Kay finally see Tom in the ambulance, and they comfort him as he cries and explains the situation. He tells his parents that the four men should be executed for their crimes. Ginna appears, and Tom privately tells her what happened.
Tom is soon asked by two homicide detectives to accompany them on the bridge to walk them through the crime. Gene goes with them, which they allow only as a professional courtesy, since the father and son are firemen. Afterward, they ask Tom to accompany them to the station to make a statement. Tom is eager to help them catch the four criminals. His parents encourage him to come home to change clothes and refresh himself, but the detectives are insistent.
Back at the house, Tink and Kathy’s grandmother gets off the phone, and she tells the girls that Julie and Robin are missing, to their dread. Tink cries in the shower, in denial that her cousins could possibly be missing only hours after she saw them. She and Kathy watch images of Tom and Ginna on the news. Kay sits with them to explain what has happened. Tink runs to the bathroom to throw up after learning her cousins were gang raped.
Chapter 4 recounts the murders at the bridge, and Cummins writes this event with little use of literary devices. She documents the events at the bridge in a mildly suspenseful tone, and for this chapter, the book reads much like any other true-crime novel. It is largely told from the perspective of Tom, although the author occasionally writes passages from Gray’s perspective. As the rapes and murders take place, Cummins maintains Tom’s perspective, sparing the reader the more horrible details. Yet this choice also focuses the reader’s attention on Tom’s heartbreaking inability to do anything more than listen to what is occurring 50 feet away on the bridge.
As the three victims are lowered onto the sub-deck, Cummins notably repeats the phrase “Robin’s little body” and calls Robin “weightless,” emphasizing her helplessness and innocence. This increases the pathos for the reader, as Robin, Julie, and Tom are completely without hope against their assailants. It also stresses the cowardice of the assailants, who are largely taller, in greater numbers, and have a gun. Cummins also revisits the theme of the transition from childhood to adulthood in her description of Julie in this moment. Julie comforts her sister Robin almost as a mother would her child, and Cummins accentuates her maturity in this moment, even writing that Julie “had aged decades” from only hours before (56). While Julie shows her maturity in this scene, it only highlights how her and her sister’s lives are about to end before they can grow into real adults.
Chapter 5 is largely written in a suspenseful, novel-like tone, as Cummins passes back and forth between Tom and the four assailants’ stories. Just as the four assure themselves that their three victims are dead and that nothing will come back to them, Cummins cuts back to Tom being rescued by the police. The chapter is largely expository, but Cummins does focus particular attention on the details of Tom’s near-drowning and his battered state, building the suspenseful tone.
A notable passage occurs when a police officer wraps Tom in a blanket in Chapter 5, and Tom’s world is turned upside-down by this simple act of kindness. After the life-altering event of having his cousins raped and murdered in front of him, a simple gesture like this changes his outlook. It makes him want to man up and catch the murderers. This motif, of pivotal moments brought on by a stranger, continues throughout the book.
In Chapter 6 Tom is deliberately represented as a vulnerable child crying with his parents in the ambulance, and even his mother Kay wants to wash him as she would a young child. Such motifs of childlike behavior demonstrate how the trauma of the murders has thrown Tom back into the vulnerability of childhood, and they also develop the idea that Tom’s transition from childhood to adulthood has been forever complicated and confused just as he was coming into his own as an adult.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
American Literature
View Collection
Childhood & Youth
View Collection
Family
View Collection
Hispanic & Latinx American Literature
View Collection
Horror, Thrillers, & Suspense
View Collection
Inspiring Biographies
View Collection
Memoir
View Collection
Mystery & Crime
View Collection
Spanish Literature
View Collection
True Crime & Legal
View Collection