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Lydia now understands that Javier targeted her family in retaliation for Marta’s suicide. She feels guilty for misjudging Javier. She replays the conversation she and Sebastián had the night before the exposé came out, when he asked if they would be safer at a hotel. She regrets both her answer and the certainty with which she spoke. The note Javier sent her at the hotel in Acapulco takes on new meaning in light of Marta’s death: “I’m sorry for your pain and mine. Now we are bound forever in this grief” (194). Lydia refuses to grieve for Marta or to feel empathy for Javier. Her rage at the senseless murder of her family quashes all other emotions.
The migrants pass through busy neighborhoods as they near Guadalajara. They encounter prostitutes and soldiers, who steer clear of them when they see Danilo’s machete. Lorenzo tells Soledad and Rebeca he will take care of them after Danilo leaves them at La Piedrera. Soledad loses her temper. Fearing Lorenzo will report her to Javier, Lydia engages him in conversation. The sicario reveals that Javier is still looking for her and Luca, but he promises not to sell them out.
The group reaches the shelter, where the sisters ask for Luca’s help calling their father. The woman on the other end of the line informs Soledad that Elmer was admitted to the hospital after being attacked. Luca calls the hospital and puts the phone on speaker. A nurse named Ángela tells them Elmer was stabbed three times. She warns the sisters not to return to Honduras. Soledad blames herself for what happened, while Rebeca tries to comfort her. Luca struggles with the sisters’ grief: their father is maimed, his is dead. At the hospital in San Pedro Sula, Ángela tells the unconscious Elmer that his daughters are safe and on their way north.
Someone gropes Soledad’s breast while she waits in the food line. The only candidates are three men deep in conversation, making Soledad wonder if she imagined it. After dinner, Lydia, Luca, and the sisters watch television. Others join them to say the rosary for the restoration of Elmer’s health. Luca thinks about his grandmother as he holds her rosary and counts out the prayers.
Eager to distance themselves from Lorenzo, Lydia, Luca, and the sisters leave the shelter early the next morning. Soledad and Rebeca are nervous about the next leg of the trip, which takes them through Sinaloa, a place known for disappearing girls and for its particularly active cartel. Despite the dangers, the group moves north along the tracks. They board the train easily. Soledad calls it expertise, while Lydia sees it as a form of apathy.
Lydia fears Lorenzo, even though she left him behind in Guadalajara. She is distressed by how easily the sicario found them, and that he did so entirely by chance. She knows Javier has thrown his considerable resources into looking for her and Luca. The train approaches a large migrant camp comprising two dozen men, but it is moving too quickly for them to board. The only man who attempts the jump gets sucked under the wheels of the train. Lydia tells Luca the man will be fine, but the boy knows better. Soledad and Rebeca invite Lydia to cross the border with them and their coyote, El Chacal, who comes highly recommended by César. Immigration trucks speed toward the train. Lydia and Luca are Mexican nationals and cannot be deported, but they fear corrupt agents will hand them over to Javier.
Immigration officials in paramilitary gear pursue the migrants on three trucks. The raid takes place in the middle of a field, making it easy for the agents to spot the fleeing migrants. The migrants run knowing that getting caught means being sent back to their country of origin or falling into the hands of criminals. An agent on a bullhorn urges them to cooperate. Some migrants obey, but Lydia, Luca, and the sisters keep running.
Luca relives the trauma of the massacre. Lydia stumbles. Luca thinks she has been shot, but she has merely twisted an ankle. The agents round up the migrants and make them wait by the side of the road. Two of the three trucks leave. The remaining agents handcuff the migrants and confiscate their belongings. A migrant is beaten after complaining when an agent steals his money. Lydia tries to distract Luca by identifying shapes in the clouds. Soledad suffers a longer pat-down than the others before being forced onto the truck’s lowered tailgate. Rebeca joins her after being groped. Two unmarked vans arrive. Lydia recalls previous mass disappearances while all the migrants, save the sisters, are loaded into the vans. Lydia claims to be the girls’ mother, but an agent slams the door in her face.
Lydia worries the agents will discover who she is and hand her over to the cartel. Luca asks about Soledad and Rebeca before arriving at a large warehouse controlled by men in civilian garb. Several hours later, the truck carrying Soledad and Rebeca arrives. It is clear the girls were sexually assaulted. Despite Lydia’s warning not to draw attention, Luca catches Soledad’s eye. She is defiant, while her sister seems broken.
Several migrants identify themselves as Mexican citizens, including Lydia. The commander quizzes a man to determine whether he is lying before shooting him in the head. He repeats his question. Lydia is the only one who speaks up. She recites facts about her home state. Luca interrupts with historical and demographic information, impressing the commander. Lydia and Luca follow him into an office where he pockets money from her wallet. The commander explains that most migrants are criminals, but that those who can pay the toll, or who have family members who will pay for them, will be released. He tells Lydia and Luca they are free to go, but Luca cannot bear to leave Soledad and Rebeca behind. He confronts the commander, earning the man’s respect. The price for releasing the sisters is 75 thousand pesos each, all the money Lydia has left. She agrees to pay.
Chapters 19-22 underscore the theme of parental love. Cummins first addresses the theme in a flashback in Chapter 19 when Lydia recalls Javier’s encouraging words to Marta before an exam while the two are on Skype. Lydia’s love for her son is also on display. In Chapter 21 she distracts Luca while an immigration agent beats a migrant by looking for images in the clouds. Luca reciprocates this loving act by letting his mother think her ploy is working. Lydia’s maternal love extends to Soledad and Rebeca, who remind her of her dead niece, Yénifer. Her desire to protect them, fueled in part by her inability to protect Yénifer at the quinceañera, prompts her to pay a princely ransom for their release in Chapter 22. Lydia’s act of love echoes the countless acts of kindness she encounters on her journey north, exemplified by the selfless clerics who run migrant shelters, the cargo workers who toss food at migrants riding La Bestia, and Danilo’s protection as he escorts Lydia’s group to La Piedrera. Indeed, the kindness of strangers is a running theme through much of Cummins’s novel.
Although the chapters include several moments of love and kindness, the overarching atmosphere is one of danger. Cummins draws attention to sexual violence. In Chapter 20, a man gropes Soledad while she waits in the food line at the migrant shelter in Guadalajara. This assault pales in comparison to what she and Rebeca experience at the hands of immigration agents. The reader is privy only to the moments immediately preceding and following the assault. In Chapter 21, an agent gropes Soledad and Rebeca before forcing them in the back of a truck. In Chapter 22, five agents return to the warehouse with the sisters, who are battered and traumatized.
Cummins not only addresses the dangers facing migrants on the journey north, she also draws attention to the violence that prompted them to flee their homes in the first place. In addition to Lydia and Soledad’s backstories, which are detailed earlier in the book, the reader learns of the violence affecting Soledad and Rebeca’s father, Elmer. Soledad fled Iván, an abusive gang member, after he expressed interest in Rebeca, but the threat to her family did not end there. In Chapter 19, the sisters learn that Iván targeted their father in an act of vengeance, stabbing him once in the stomach and twice in the face. A nurse informs the girls that Elmer is in a coma and urges them never to return to Honduras: “Your papi wants you to live until you are one hundred years old, okay? You cannot do that if you come back here. Keep going” (202).
Migrants face financial extortion, in addition to bodily harm. The immigration agents who stop La Bestia in Chapter 20 demand money from the migrants in exchange for their release. The corrupt commander warns Lydia to keep her mouth shut: “I’m sure I don’t have to tell you to keep this business to yourselves […] You needn’t hear about the dreadful things that happen to people who tell tales in Sinaloa” (236).
Cummins creates tension surrounding Lydia and Luca’s flight with the use of imagery. In Chapter 20, for example, Lydia laments their lack of progress, comparing herself to “a hamster on a wheel” (211). Similarly, in Chapter 21, Lydia “feels the guard’s scrutiny like a malevolent clock” (235) as she senses her anonymity slipping away. Lydia’s anxieties surrounding distance and time are not unique, affecting all migrants, regardless of their circumstances.
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