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The family purchases a second Samoyed that they name Pushkin. The family’s schedule is now even more compressed than before, and Chua acknowledges that her desire to get a second dog is “mysterious to everyone, including myself” (157) because she has 90% of the responsibility of taking care of the animals, in addition to her intensive management of her daughters’ lives. Chua contemplates how Western parents seem to have so much more time and that their children have more fun.
Chua recounts Lulu’s accolades, a vast number for a sixth grader. Chua believes that Lulu’s school often wastes time, so she frequently pulls her out of class for violin practice. As a result of her demanding schedule, Lulu starts talking back to her parents and violin teacher. Chua cannot understand why, despite Lulu’s “prodigy” status (168), she continues to rebel. Instead, she fights Chua every step of the way. Lulu starts to act out in public, which mortifies Chua. In a final act of rebellion, Lulu chops off her hair.
Chua contemplates her happy relationship with her younger sister Katrin, a professor of medicine and endocrinology who runs a lab at Stanford. Shortly after Lulu chops off her hair, Katrin calls Chua to tell her that she has been diagnosed with leukemia.
Chua takes Lulu to the hairdresser’s to fix her choppy hair. Usually, Chua is embarrassed by Lulu’s public outbursts, but when the stylist asks her what happened to Lulu’s hair, Chua replies: “‘She cut it,’ […]. I had nothing to hide” (179).
Sophia prepares a toast for Jed’s 50th birthday party, but Lulu refuses to participate. The tension between Lulu and Chua intensifies as Lulu’s violin schedule becomes more demanding. Chua “[goes] to battle” (199) with Lulu because she wants Lulu to play the violin at her own Bat Mitzvah.
Katrin and her husband, Or, close down their house in Stanford and move to Boston for Katrin’s cancer treatment. Her condition rapidly worsens, and it becomes clear that she will need a bone marrow transplant. Chua and her family make frequent trips to Boston to visit Katrin, Or, and their two children, Jake and Ella. At this time, Chua helps her parents cope with their crushing grief over Katrin’s diagnosis. The first round of chemotherapy is not successful, and Katrin has to begin a second round.
Chua recounts an incident in which the dogs break into a 50-pound bag of rice. Chua blames Sophia, saying that Sophia always promises not to make mistakes but only wants to stay out of trouble. Sophia points out that she is a good kid who makes Chua’s life easier. Chua considers how both she and her daughter are the eldest children in their families and are supposed to be the role models for their younger siblings.
Katrin’s second round of chemotherapy is brutal. Chua and her sister Michelle test to see if either of them is a match for donating bone marrow, but they are not. Chua desperately tries to contact Katrin, who is exhausted and in considerable pain. Eventually, a bone marrow donor is located, and Katrin is released from the hospital.
As the girls’ musical schedules intensify, Chua chauffeurs them around New England and continues to have a hands-on approach in their training, studying their musical pieces even closer than they do. Chua does all this while working as a tenured professor, writing, and traveling to promote her own books, not to mention taking care of their two dogs. Chua dismisses any possible negative effect the stress of this high level of activity may have on her, keeping the focus on how efforts are for the girls’ benefit. In Chapter 29, however, she does admit to her emotional turmoil: “Sometimes when I know I’m wrong and dislike myself, something inside me hardens and pushes me to go even further” (191). She is aware that this tendency has a damaging effect on those around her, but she does nothing to change it.
An emotional shift occurs in the text when Chua’s sister Katrin is diagnosed with leukemia. The narrative structure reflects this, as Chapters 24-27 alternate between descriptions of Chua’s battles with Lulu and the increasing desperation the family feels at Katrin’s failed cancer treatments. The short, choppy nature of the chapters in this section creates a sense of urgency and discomfort, diverging from the longer descriptive chapters in Parts 1 and 2.
Just as she believes she can control her daughters’ futures through intensive action, Chua copes with Katrin’s leukemia by throwing herself into activity. Chua admits that she is not comfortable openly expressing difficult emotions like grief and fear; instead, she throws insults and acts like the fierce, protective tiger she believes herself to be. She wants to appear infallible and unconquerable but is painfully aware that this is not the case. In Chapter 25, her first reaction to Katrin’s diagnosis is denial: “She told me she had been diagnosed with a rare, almost certainly fatal leukemia. Impossible, I thought confusedly. Leukemia striking my lucky family for a second time? But it was true” (177). This passage shows both Chua’s desperate attempt at denial and her inevitable acceptance of the truth. Though Chua rarely goes into about her emotional responses, passages like this show that she has more emotional awareness than she expresses to those around her.
Though Chua is still at war with Lulu at this point in the book, some growth can be seen by her changed approach to training Coco and Pushkin. In Chapter 23, she writes: “My dogs can’t do anything and what a relief. I don’t make any demands of them, and I don’t try to shape them or their future” (166). This is quite a transformation from her earlier expectations that her dog should have a career.
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