61 pages • 2 hours read
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section mentions racism, colonialism, child sexual abuse and rape, incest, death, and murder.
The importance of memory manifests in positive and negative ways throughout the story. Landon remembers the wisdom of his mother and grandmother and passes it on to his children. In doing so, he keeps alive Cherokee traditions that the US government tried to eradicate. His generational memory is a means of preserving culture and an act of resistance against oppression. As the forces of colonialism sought to erase the collective memory of the Cherokee people—especially of those who remained in the East rather than participate in the forced relocation of their people Westward—sexual abusers in the novel seek to erase or silence the memories of those they abuse. Erasure of memory is a strategy used by oppressors to erase a person’s or community’s individuality and history, so holding onto one’s memory is an act of resistance.
When Landon teaches Betty about her heritage, which traces back to the Aniwodi clan of the Cherokee people, he tells her, “Our people are keepers of this knowledge. Remember this, Betty” (8). He shows her a strip of deerskin from his mother’s mother that reads, “Don’t forget who you are” (26), and explains that for a long time, they were not allowed to say that they were Cherokee because the Europeans would take their land. Landon understands the importance of memory because the colonizers attempted to take it from his people. In school, the teachers and students try to shame Betty out of her identity, saying that her people were weak, “savage,” and lazy. They seek to erase the true memory of her people by overwriting it with a false, racist memory, but Landon’s stories ensure that Betty knows the truth. In teaching his children to respect living things, he notes that “[t]he earth will remember” (99), personifying the earth to reflect that it can feel and hold onto memories just as his children do.
The men who commit abuse in the novel rely on shame to force the women they abuse into silence. This silence often takes the form of an enforced forgetting, and the repressed memories resurface in destructive ways. Alka describes to Betty how her father left a half-eaten chocolate bar on her chest after he raped her. While shopping in the market one day decades later, Alka weeps and eats half of each chocolate bar in a display, explaining later that “[o]nly half was [hers]” (200). Fraya refuses to acknowledge that Leland has been raping her for years. When Betty tries to talk to her about it, Fraya slaps her repeatedly until Betty says, “I don’t know anything” (235), literally recanting the memory of what she witnessed. Fraya’s unwillingness to acknowledge Leland’s abuse allows him the space to continue abusing her until he finally murders her.
Alka, Fraya, and Betty use memory as a way to stand up to evil men. Betty supposes that her mother continues to visit her parents despite their abuse to show them that she is “[a] woman who [i]s strong enough to remember everything” (182). By letting her father see her life and family, she forces him to remember what he did to her. She cannot escape these memories, so she refuses to let him forget. When Leland tries to destroy Betty’s written account of what he did to Fraya, Betty says, “You can’t destroy her story […] I keep it with me. No matter what you do to the paper, her story will always live” (440). By holding onto the memory of what he did, she forces him to face his own actions. Memories haunt the Carpenters, but they also serve to ground them and remind them who they are.
Landon’s character exemplifies storytelling as an expression of love. He tells stories to pass down memories, to give people hope and relieve their pain, and to find joy in his own life. Betty takes after Landon’s passion for storytelling and carries on this form of love in her own way.
At the start of the novel, Betty says, “Through his stories, I waltzed across the sun without burning my feet” (9). His stories empower her to view life’s pain up close without letting it break her. When she is scared and lost in the woods, he finds her and tells her that smoke can “carry [her] fear up to the clouds, which is the home of the fear eaters […] good little creatures who will devour all that frightens you so you don’t have to be afraid anymore” (41). Later, when Betty knows that Fraya is in pain but is unsure why, she sends Fraya’s prayer to heaven with the smoke of a burning church. Landon’s stories allow Betty to maintain hope in the face of violence and oppression. They give her the power to continue living. As a child, his stories let her believe a lie that is nicer than the truth, but as Betty grows up, she uses storytelling as a form of power. By telling her mother’s and Fraya’s true stories, she shows her love for them.
For others, Landon’s stories are a way to process pain. After Cotton’s wife was killed, Landon suggested that he write to her and send his letters up to heaven in a balloon, and for decades, Landon puts a rock in a tree each day to signal to Cotton that his wife received the letters. Landon creates a story that allows him to hold on to his love for his wife and the life they might have had together. When Lint comes to his father with physical ailments that are either imaginary or rooted in mental illness, Landon treats them with genuine concern each time. He tells elaborate stories to help Lint heal, understanding that the stories that Lint tells himself about his health have real physical power. Landon’s stories demonstrate his empathy and validate other people’s lived experience.
In the first chapter of the two that recount Landon’s death, he and Betty talk about their love:
‘I don’t know if I’ve ever told you that I love you, Little Indian. I don’t know if I’ve ever said those words.’
‘You said them every time you told me a story.’ I looked up into his eyes.
He smiled. I knew it would be the last.
‘Have I ever told you I loved you?’ I asked because I really didn’t know.
‘Every time you listened to one of my stories’ (428).
In this exchange, Betty and her father explicitly state that they have expressed their love through storytelling. After his death, Betty finds the typewriter where he has already begun her story. In this gift, Landon shows his love by giving Betty the gift of telling her own story.
Landon’s belief that all living beings deserve respect comes from his Cherokee family, and he passes it on to his children throughout their childhood. Landon explains that “the wild gooseberry is the first to open her eyes from her winter nap” and goes on to say that “[n]ature speaks to us. We just have to remember how to listen” (9). Landon personifies nature, seeing it as capable of communication in the same way humans are. If others do not hear what nature is saying, they are not listening. By teaching his children how to listen to the language of nature, he ensures that they see the earth as autonomous and deserving of their respect and attention.
Landon believes that nature has given people everything they need, but he never elevates humanity above the rest of the natural world. Describing a plant that confers good health on whoever eats it, he says, “That’s not to claim if you eat this plant, you will never die, for the plant itself will one day die, and you are no more special than it” (67), again seeing as equal the value of all living things. He goes on to say, “At the very least, we bring the earth inside us and restore the knowledge that even the smallest leaf has a soul” (67). Landon’s belief that a soul resides in all living things is reflected in his respect for all beings. After learning that Alka’s father beats her, Landon finds that her father has no soul—lack of respect for other beings is a sign to Landon that the soul itself is missing. The way that Leland treats the eagle is evidence of his lack of respect for all beings: He cages, starves, and kills the eagle, and he does the same to Fraya. Seeing the way he treats others, Betty cuts his nose open in search of a soul like her father once did to Alka’s father.
Landon’s spiritual philosophy boils down to his belief that “[a]ll ya have to do is to walk the hills to know there’s somethin’ bigger. A tree preaches better than any man can” (136). Once again, Landon personifies the natural world and emphasizes the importance of listening. He believes in God outside of the tradition of Christianity, which values certain beings over others. Whenever Landon takes a plant from the earth, he places a bead in its place as “payment for Mother Nature’s blessing. ‘We have thanked the earth,’ he sa[ys]” (82). Landon views the land as a being to exchange with, always offering something in return for what he receives. Betty feels this connection, too, when trying to ask for the earth’s blessing: “I became overcome by the feeling it was possible for my fingers to lengthen and turn into rivers and for my body to lay so still, it could become a mountain” (82). She feels directly connected to the fate of the earth because she is of the earth. To have respect for the earth is to have respect for herself, her father, and her ancestors.
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