logo

17 pages 34 minutes read

Beware Soul Brother

Fiction | Poem | Adult | Published in 1972

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Power of Tradition and Appropriation

Achebe uses traditional Igbo words, images, and references to express himself. In these traditions, Achebe finds a sense of identity and purpose. He ties his struggle to the entire history of his people, making his fight for freedom bigger than just himself or just his people who are currently alive. Instead, this is a fight for something that is inherently theirs. His ancestors bequeathed the land and the culture to Achebe and his soul brothers, so not only do they have this legacy on their side in the fight against oppression, but they also gain the strength of their culture’s wisdom and connection to the earth in their fight. However, Achebe is cognizant of the changing world, and he appropriates aspects of the dominant culture in his fight to keep his traditional one. He does this most explicitly with his molding of the abia drums with the cross. Instead of fighting the weapons of the oppressors, he chooses to use them to strengthen the position of his traditional culture.

In a similar way, Achebe appropriates the language of the colonizer while incorporating traditional language. He does not define what abia drums are, and he does not go into depth about the goddess Ala. He speaks to his reader as if they are familiar with these things, yet he writes in English with the intention of English speakers and Westerners reading the poem. This gives him great power over the reader. His use of traditional words forces the reader to take the time and energy to research what these things are to understand the poem. This also provides readers with an authentic voice for this culture, bringing them into this world that they might not be familiar with.

The Importance of Life Over Death

Achebe is quick to acknowledge his soul brothers’ pain, saying, “We have / come to know from surfeit of suffering / that even the Cross need not be / a dead end nor total loss” (Lines 5-8). He understands that death feels like an acceptable and welcome escape from the pain and trauma they have experienced, especially if they face that death while holding true to their identities. They might feel like dying is worth it if they die to the march of their traditional dance, but Achebe argues against this. Later in the poem, he says that dying for their beliefs will only disinherit their souls and their children from the land and culture they love so much. Because of this, he believes they must fight but survive. In other words, there is no victory in pure martyrdom; there is only loss.

The alternative is to appropriate the oppressors’ weapons and use them to strengthen their own culture. Achebe exemplifies this with his own English writing and the incorporation of Western culture with his own. This echoes a key theme in Achebe’s most famous book, Things Fall Apart. In that book, the main character, Okonkwo, cannot incorporate anything from the invading colonizers. His inability to adapt and his rigid dedication to tradition contribute to his eventual death, and after his death, the only mention of him that will live on in history is a footnote in a colonizer’s book about the region. Thus, a great legacy is ended because it cannot adapt, because it chooses prideful death over subversive life. Achebe believed the best way to save an attacked people and culture is to keep those people and that culture alive.

The Value of Inheritance

Similar to the other themes in the poem, Achebe argues for the value of inheritance and passing on culture and identity from one generation to the next. This is best exemplified through the dancing metaphor. Achebe makes it clear that the dance his soul brothers engage in is not just for them, but it is also for their children and beyond. He warns that if his soul brothers stop their dance, they will be replaced by “leaden-footed, tone-deaf” (Line 16) people. These people will not continue the dance; instead, they will replace this soulful dance with a lifeless exploitation of the earth in pursuit of their passionless, materialistic pursuits. Achebe warns that this will result in the loss of all that has been passed down for centuries, and it will leave his soul brothers’ children without soul and passion.

Achebe also argues that because all men will return to the ground after they die, that even in death they are inheriting the land that they once danced upon. It is like trading one house of the living for a house of the dead. Achebe states that his soul brothers must continue their dance and leave something for their children so that, in death, they will have something for themselves as well.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 17 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools