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Rigoberto and his father are on their third bus on the way to Michoacán. Rigoberto’s father tells him a story of a time he was on a bus and fell into conversation with an old woman who told him that she had sewn all of her money into the lining of her quilt because she doesn’t trust banks. When the bus stopped, Rigoberto’s father got off the bus to get something to eat, and when he came back, she seemed to be asleep. The next morning, he and the driver discovered that the woman was dead. When Rigoberto’s father has told Rigoberto the story in the past, he included a detail where the woman had pleaded with him to tell her family that her money was in the quilt, but Rigoberto’s father didn’t, instead continuing on his journey. This time, Rigoberto’s father omits that detail and acts confused when Rigoberto prompts him about it.
Rigoberto tells his father when they reach Zacapu that they should split up and not to ask him for any more money. His father laughs, and, instead of responding, he points at a town on the mountainside, saying, “What would it have been like to have had a steady home?” (168).
Then, Rigoberto realizes that he is the farthest he has ever been from his lover. He reminisces about their “ghost whisper” game, so-called because they seem bodiless when they talk in the dark.
Rigoberto falls asleep, and when he wakes up, they are in Zacapu. He gets breakfast with his father. Rigoberto finally confronts his father about leaving him to start a new family, and his father says he should “let this anger go” (171). They have a genuine moment of understanding when Rigoberto expresses anger about his father leaving him and his brother with his abusive paternal grandfather because of “how he treated [them] all these years” (171). His father agrees that Rigoberto’s grandfather, his own father, is awful, which is why he had to leave. This insight “hits [Rigoberto] on the side of the head” (172). During this conversation, his father starts to say, presumably, that he knows that Rigoberto is gay, but he stops short. After breakfast, Rigoberto takes the taxi by himself to his maternal grandparents’ house.
Rigoberto tells his lover that “none of us really knows how to grieve” (175). Then he tells the story of the time his neighbor, Tony “El Jorobado” (the hunchback) died. His widow asked for donations for the burial plot, prompting his grandfather to talk about how burial is a waste of money and it is better to be cremated. That year, for el Día de Muertos, the Day of the Dead, his grandmother bought a candle to remember El Jorobado.
Rigoberto recalls that when they first moved to the United States, his family didn’t do much to celebrate el Día de Muertos. However, after the death of his mother, the family gathered to commemorate the holiday. One of his uncles got on his knees on the living room floor to pray, even though he wasn’t particularly religious, and the rest of the family joined him. After the prayer, they all stayed on the floor and cried together “as if grieving for the shared fate of [their] bodies sunken to the ground.” (177)
Rigoberto arrived at the home of his maternal grandparents. They welcomed him and then left him to his own devices. Sitting outside of the house, Rigoberto saw the neighbor’s son, on whom he has always had a crush. That night, in his grandparents’ bedroom, he went through a collection of his mother’s things. He found a series of pictures of her marching in the UFW protests and her union registration card. He recalls that the only other time he knows of her marching was when she attempted the pilgrimage to the Cathedral of Morelia to ask the Virgin “to cure [his] father’s drinking problem” (181).
Rigoberto liked to sleep in his grandparents’ bedroom because it was where his mother died. According to his aunt, who was in the room with her, neither of them slept the night before she died. However, Rigoberto recalls that that night, he had gone to the room to see his mother, but his aunt was asleep and his mother appeared to be praying, and he didn’t want to disturb them.
The next morning, Rigoberto went to see his mother’s grave in the cemetery with flowers. He wondered if “she would have approved of [him] as a gay man” (184). He describes the morning they left for Michoacán, and he walked in on her struggling to put her bra on. She asked him to help her, and Rigoberto wonders if she allowed him to see her naked because she knew that he is gay.
Rigoberto returned to his grandparents’ house, where his father was visiting. His father gave him a gift of cologne, even though Rigoberto was allergic to it. Then he asked him for money. Rigoberto gave him all the cash he had and his father left.
Later, Rigoberto was sitting on the roof of his grandparents’ house when he caught the eye of neighbor boy. They had sex on the roof in the rain, and his aunt saw them while she was taking in the laundry, but she didn’t say anything. The neighbor left, and Rigoberto stayed on the roof in the rain, thinking about how it had rained during his mother’s funeral. There had been a drunk man at the funeral, Ramiro López, who approached Rigoberto saying that it is terrible for children to lose a mother, especially when the father remarries a stepmother who beats them. Later, López confronted Rigoberto’s father and told him to love his children and to believe them if they say that their stepmother beats them.
The next day, Rigoberto took the bus back to Riverside.
In Part 4, González focuses on The Challenges of Family Dynamics, especially in the aftermath of his mother’s death. In Chapter 13, Rigoberto has a final meal with his father at the end of their long bus trip. He finally works up the courage to confront him about the way his father left him and his brother after his mother died, which presents an emotional climax toward which the text has been slowly building. When they agree that González’s grandfather is awful, González realizes that, in the same way that he struggles with his father’s abuse, his father struggles with his own father’s abuse. This dynamic characterizes how the cycle of violence is perpetuated in relationships.
González also explores a more positive counterpoint to The Challenges of Family Dynamics in Chapters 14 and 15, demonstrating how they can be a source of support and affection. In Chapter 14, his family comes together to pray after the death of his mother and for once express honest emotions around one another in grief. Although González feels largely alienated from his family, they share this moment together. This dynamic is further highlighted when González arrives at his maternal grandparents’ home in Zacapu in Chapter 15. When he walks in the door, his grandparents “smother [him] with hugs and kisses” (178). However, because he is unaccustomed to these kinds of physical displays of affection, they make him feel “awkward” (178). This reflects the partly negative associations with intimacy throughout the memoir, thwarting any sense of narrative relief.
Chapter 15 also highlights the complexity of Gay Identity in Chicano Culture. While standing at his mother’s graveside, González wonders if his mother would accept him as a gay man. Although he would never have a direct response to this question from his mother herself, later he gets something of a sign of how she would have felt. His aunt, his mother’s sister, sees him having sex with the neighbor boy on the roof. Rather than confronting or berating him, she simply gives him his privacy and returns inside. This is juxtaposed with the lack of privacy with which González struggles as a child, demonstrating some narrative development through his journey with his identity. While this response is far from a celebration or complete acceptance, it demonstrates the kind of tolerance of his sexual identity that Rigoberto is able to secure from his family as a young adult.
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