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61 pages 2 hours read

Good Material

Fiction | Novel | Adult | Published in 2024

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Character Analysis

Andy Dawson

Content Warning: The source material contains themes of alcohol misuse and food restriction.

Andy is the protagonist and first-person narrator for most of the novel until the book switches to Jen’s perspective in the end. At 35, Andy finds himself reeling from a broken relationship while nursing a failing career in stand-up comedy. As a creative person, Andy is charming, witty, and free-spirited, all characteristics that initially endeared his ex-girlfriend Jen to him. Despite his charm, Alderton indirectly characterizes Andy as flawed, and the conflict of the novel largely arises from his need for personal growth. His insecurities and vulnerabilities often manifest in his relationships with others, and his need for validation and acceptance becomes an emotional barrier to authentic connection. Though he’s made his career in public performance, Andy doesn’t share his feelings with his friends or partner, not for lack of want but for fear. He explains, “I don’t know how to choose the right words to correctly represent all the thoughts and feelings that are piling up inside me” (191). Alderton presents this as a problem caused by patriarchal conditioning by comparing Andy to his equally inexpressive male friends and juxtaposing him with Jen and her expressive female friends.

From Jen’s perspective, Andy lives in eternal boyhood, and his mother meets all his emotional needs. At first, Andy refuses to do the hard work of emotionally processing his grief and instead turns to alcohol, obsessive online stalking, and his new trainer, Kelly, to whom he sends photos of his meals and depends for motivation to get physically fit. It’s not until Andy realizes the importance of Finding Healthy Coping Mechanisms for his grief and stops depending on others for his self-worth that he can begin to do the interpersonal work necessary to process his emotions and move forward.

One of Andy’s most significant lessons is how to stay present in the moment. Instead of living in the past and in his nostalgic memories of better times, Andy learns to embrace reality and his ability to affect his future. Part of this journey involves him accepting his changing physical body. He says, “I’m someone who lives in their head. I’d like to at least try to live in my body too” (105). Releasing his obsession with losing weight and documenting his hair loss is the first step to Andy’s self-acceptance. Andy learns about what makes a person “good material” in a relationship, which is that it goes beyond appearance and social acceptance; the title’s double meaning of “good material” also refers to Andy’s acceptance of the present by repurposing it into material for his comedy show. By becoming more self-aware and releasing his grip on others’ expectations, Andy opens space to become a better friend and future romantic partner. Andy’s character highlights the experience of overcoming rejection. Once he accepts that Jen doesn’t want to be with him, it frees him to rebuild himself and focus on non-romantic relationships that remind him of his purpose and identity.

Jen Hammersmith

Jen is Andy’s ex-girlfriend, and for much of the novel, Alderton only portrays her from Andy’s perspective. Andy sees Jen through the lenses of nostalgia and sadness. Even after they break up, she remains the focus of his emotional universe. He idealizes their past and treasures recollections of their shared experiences, like discovering a new snack or watching their favorite film. His internal monologue reveals the over-fantasized way he viewed her: “She was better than any new present I could remember—she was my Game Boy and Tracy Island and Magna Doodle combined.” (301-02). Through Andy’s emotional spiral, reliving of their favorite memories, obsessive viewing of their old photos and playlists, Andy characterizes Jen through his memories and paints their relationship as idyllic. However, he also views her as an antagonist for breaking up with him and he bemoans the qualities that he found annoying.

When the point of view shifts, and Jen is free to tell her side of the story, her character becomes fully humanized as she shares her raw emotions and reveals the most vulnerable parts of herself. Jen’s narrative provides the other side of the story and provides context for why she ended the relationship. Andy and Jen share an inability to express their desires openly, causing friction in their relationship. Through her narrative, Jen explains her first realization that being in a relationship with Andy wasn’t personally fulfilling for her when she claims, “I started to feel single” (421). Unwilling to carry the entire emotional burden of their relationship, Jen resolved that her life would be easier spent alone. She realizes that she is not the right partner for Andy for two key reasons. One involves her frustration with his lack of motivation and tendency towards self-absorption as she explains, “I don’t think I’m cut out to support a male artist” (431). Second, and most importantly, Jen can’t fulfill Andy’s dream of being a father. Jen’s narrative reveals her internal struggle, capturing the conflict between the weight of societal expectations and her aspirations, but this is a battle she never shared with Andy. Jen represents the modern woman who refuses to conform to traditional roles. She challenges the notion that a woman’s worth is tied solely to her role as a wife or mother. Her independence and determination to pursue her path force her to choose between staying in an unfulfilling relationship or embracing her decision to live an unconventional lifestyle and refusing to compromise her dreams for societal norms.

Avi and Jane

Avi is Andy’s best friend from university and Jane’s husband. Jane is Jen’s best friend, and together, the two couples form a close friendship as Andy and Jen become godparents to Avi and Jane’s kids, and they begin living adult life together. Avi represents Andy’s past and reminds him of the more carefree, wild days of their twenties, and though Andy is trapped in the past, Avi has moved on, holding down a secure job and growing his family. With their comfortable home full of familial chaos, Avi and Jane represent the stereotypical couple in their thirties and a constant reminder to Andy of what he doesn’t have. This friction highlights Andy’s struggles with Navigating Early Adulthood in the Modern World. While living with them after the breakup, the comfort of their domesticity pains him as he admits, “the truth is that I love their lives. I love this house and its colours and its clutter and its smells—warm laundry, kids’ bubble bath, just-cooked lasagne. I want a home like this one” (287). Throughout the breakup, Avi and Jane remain neutral as Jane still spends time with Jen but allows Andy to stay with them and holds space for his emotional turmoil. When he complains about what he sees as the injustice of her decision, Jane defends her friend’s right to choose who she’s with but also lends Andy a listening and empathetic ear.

Avi also exemplifies Andy and his friend’s lack of emotional intelligence. He schedules a night out at the pub but never asks Andy how he’s feeling. Overcome with gratitude for Andy’s birthday gift to Jackson, Avi can’t manage more than a slap on the back and a mumbled thank you as he holds back tears. As Andy spirals emotionally, he’s conscious of the stress he’s putting on his friendship as Avi bears the brunt of Andy’s irrational behavior: “Avi views his role in this breakup as the executor of a series of tasks and chores” (178). As a static character who remains unchanged throughout the story, Avi, despite struggling to express his emotions, is a source of support for Andy and remains a loyal friend during a turbulent time. His static characterization makes Andy’s character development more pronounced, as when he offers emotional support to their mutual friend, Jon.

Morris

After a failed attempt to live on a houseboat, Andy moves in with a 78-year-old pensioner named Morris. Aside from a shared interest in the Beatles, Andy and Morris have nothing in common. However, once Andy intentionally tries to get to know Morris, his unconventional living situation becomes ideal for his emotional health. Kooky and a bit abrasive, Morris lives life on his terms, preferring the comfort of his conspiracies and obsessive collections over venturing into the outside world. Andy bemoans how “[he] randomly shifts from telling me far too much to telling me absolutely nothing” (155). As the story progresses, Morris evolves from Andy’s cranky landlord to a father figure as he encourages Andy to take career risks and shares his own story of heartbreak and grief. Morris exemplifies Alderton’s exploration of age gaps throughout the novel, representing the “Boomer” generation who struggle to understand millennials and their choices. However, he and Andy’s relationship proves that two generations can find common ground as Morris challenges Andy to believe in himself. Andy offers patience and grace towards Morris’s eccentricities, evidenced by his creating the fake letter from Julian Assange. Morris also becomes the vehicle for the pandemic plotline to enter the story as he predicts that it’s coming and is the first character to mention it. Despite his conspiratorial beliefs and prickly persona, Morris and his home are a soft place for Andy to land when he feels that his world is ending.

Sophie

Sophie becomes Andy’s first attempt at moving on from Jen. Sophie intimidates Andy when he meets her because she is 23, living wildly and unapologetically free from traditional rules. She explains, “I like the idea of keeping a long relationship exciting with non-monogamy. Why cut yourself off from the experience of falling in love over and over and over again?” (257). She is comparable to Jen in her desire for an unconventional life. Alderton therefore presents several female characters who do not desire to marry and settle down, suggesting that this is no longer an exceptional circumstance.

Sophie doesn’t laugh at Andy’s jokes and repeatedly uses the word “cringe” when referring to something she finds awkward or embarrassing. Despite how she challenges his worldview, Andy falls into a romance with Sophie, allured by her liberated ideas and his desperate need for a distraction from Jen. Sophie both intrigues and frustrates Andy as she wants to be with him but insists on keeping him distant by not allowing him to give her gifts or stay the night at her apartment. Sophie teaches Andy more about modern dating and how to weaponize the block function on social media to curb his obsessive online stalking. Revealing The Unpredictability of Relationships, Andy realizes that Sophie is falling for him and knows that he must break it off before hurting her. His brief romance with Sophie catalyzes his character development as Andy sees Jen’s side of the breakup clearly for the first time and is forced to examine what he wants in a partner.

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