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Born on January 29, 1860, in Taganrog, Russia, Chekhov came from a modest background. He initially pursued a medical career and became a physician, but he devoted himself to writing throughout his life. Chekhov’s literary career began with humorous sketches and stories published in various magazines. However, his breakthrough came in the late 1880s when he started writing more serious, realistic stories and plays that explored the complexities of human nature and captured the lives of ordinary people in provincial Russian society.
He created many masterpieces, including the play “The Cherry Orchard” (1904), the novelette “Ward No. 6” (1892), and the short stories “The Lady with the Dog” (1903). In 1904, he died at age 44 of tuberculosis.
Chekhov’s writing style is characterized by its subtlety, understatement, and close observation of human behavior. Instead of expressing his own sociopolitical ideas through his stories, Chekhov foregrounds his characters’ everyday struggles, disappointments, and moral dilemmas. His stories often close with irony and ambiguity, leaving the readers to ponder the deeper meanings.
The Little Trilogy (1898) is a series of stories told by three friends: Bourkin, Aliokhin, and Ivan Ivanich. The first story, “The Man in the Case,” told by Bourkin, showcases the tragedy of a schoolteacher named Belikov. His conventional adherence to rules and strictness repels his crush, Varinka, who is a modern, carefree woman. Devastated by her rejection, Belikov withdraws further into his reclusive shell. In “Gooseberries,” Ivan tells a story about his younger brother, Nicholai, who fulfills his dreams of moving up the social ladder through material success and at the expense of others’ suffering. In the third story, “About Love,” Aliokhin shares his own love story. He falls in love with a married woman named Anna, but despite their mutual attraction, which lasts many years, Anna finally walks away due to social pressure and financial instability.
The late 19th-century Russia in which Chekhov lived and wrote was undergoing significant social and cultural changes. The country was struggling to transition from the rigid social structures of the past to a more dynamic and modernized society. More specifically, this rigid social structure involved serfdom. The term “serf” refers to an unfree peasant in tsarist Russia. Like an enslaved person, a serf was considered the “property” of a Russian nobleman. However, unlike enslaved people, serfs could be sold only along with the land with which they were affiliated.
As ideas such as rationality, empiricism, human rights, and social contract emerged and impacted Western Europe in the wake of the Enlightenment and Industrialization, Russia seemed to be lagging both culturally and economically. Culturally, owning serfs and preserving a rigid social structure not only inhibited individual freedom but also raised moral concerns. Economically, serfdom was hardly efficient because neither serfs nor nobles were motivated to improve the land. In reality, both serfs and nobles were subject to idleness, marked by gambling and heavy drinking.
Chekhov’s works, including The Little Trilogy, reflect the changing social dynamics of his time and provide insightful commentary on the lives of ordinary people in provincial Russian society. In “Gooseberries,” the division of the values of Nicholai and Ivan represents Russia’s struggling transition to a modernized society. Nicholai clings to the traditional idea of owning land and serfs as a nobleman. However, as Ivan sees it, Nicholai’s pursuit is immoral, his identity a sham, and his happiness an illusion. Representing a modern Russian man, Ivan yearns for social equality, individual freedom, and responsibility.
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