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56 pages 1 hour read

Granted

Fiction | Novel | Middle Grade | Published in 2018

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Literary Devices

Setting

Granted takes place in two main settings: the fairy world of the Haven and the city of Kettering, Ohio. These very different natures of these places cause conflicts in the story. The Haven is home for about 1,000 fairies who live with nature, dwelling and working in trees. They have Whisperers who talk to trees, making them change shapes for the fairies. The Haven is a safe and secure place with strict rules that guarantee that everyone can live comfortably and safely.

On the other hand, the human world, represented by Kettering, Ohio, is a challenge for Ophelia. It feels crowded and scary to her; the big buildings make her think fairies do not belong there since she is used to living and working in trees. However, as Ophelia spends more time in the human world, she feels gradually more comfortable in it. When she visits the Morales family’s home, it reminds her of the Haven since it is cozy and warm.

The different settings in Granted are not just backgrounds; they help the characters grow and explore themes like fitting in, changing, and mixing magical and human experiences.

Point of View

Like many fantasy stories, Granted mainly uses a limited, third-person narrator. This narrator focuses only on Ophelia’s perspective, allowing the reader to view the story through her eyes. This narrative style allows the author to create some distance between the reader and the story, similar to the distance between the fairies and the humans. Likewise, it helps create a tone that is similar to traditional fairy stories.

However, at several points in the story, the narrator shifts to second person narration and appears to speak to the reader directly. While the third person style creates distance in the story, placing the reader in the role of observer, the second-person style draws the reader in. It creates a personal connection and asks the reader to consider their own wishes.

These shifts create an exciting dynamic in the story. The second person interludes interrupt the flow of the narrative, forcing the reader to stop and consider the implications of wishes in the story’s context. The third person sections are more traditional and allow the reader a close look at Ophelia’s emotions in the story. The alternation between these perspectives engages readers emotionally and intellectually as they navigate the complexities of the fairy world and of human desires.

Humor

Anderson employs humor in Granted to lighten the narrative and engage readers, adding a playful touch to the fantastical world of fairies and wishes. One notable source of humor is the portrayal of fairies’ perspectives on humans. The fairies’ disdain for mundane or impractical wishes, such as for PlayStations or fame, creates comedic moments. Also, the fairies’ failure to understand human culture provides comic relief and foreshadows Ophelia’s problems later in the story. For example, Ophelia complains that there is too much human culture to keep track of and “only yesterday she’d learned that a Super Bowl was not a fancy serving dish” (33). Likewise, another fairy blames all his problems on the internet. The author uses this humor to highlight the contrast between the fairies’ magical world and the everyday desires of humans, providing readers with amusing insights into the fairy mindset.

Additionally, several character interactions, particularly those involving Ophelia, contribute to the humor in the story. Ophelia’s meticulous planning and attempts to control situations often lead to comical mishaps, such as when the hawk catches her. While most fairies charm with their singing, Ophelia annoys. While most fairies sing traditional songs or Frank Sinatra, Ophelia sings Ozzy Osbourne. These humorous incidents humanize the fairies, making them relatable and endearing to readers. The use of humor in these situations adds levity to the narrative and underscores the theme of adaptability, showing that even magical beings can face unexpected challenges with a sense of humor.

Moreover, Anderson employs wordplay and witticisms throughout the novel. Ophelia’s cursing, in particular, adds humor to some of the more serious moments. Fairy cursing involves words like “Flabforkin’, fartfiddled, toejammed, spitwashed, lumpsucking, bony-headed buttfish” (139). While hilarious, the nature and escalation of Ophelia’s cursing as the story progresses reflects the amount of stress she is under. The humor in Granted serves as a key element in balancing the more serious themes, offering moments of lightheartedness and ensuring that the novel is accessible and entertaining for its audience.

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