45 pages • 1 hour read
Abigail wakes to find Jackaby has lit a fire and bandaged her chest where Swift attacked her. He has also cared for Charlie, who is badly injured. Jackaby explains that to kill Swift, they need to burn his blood-soaked hat. Swift is a redcap, a powerful goblin known for soaking their hats in blood. As Jackaby prepares to burn the hat, Marlowe arrives and points a gun at Jackaby. Marlowe thinks Charlie is the killer, but Jackaby defends him. As Abigail watches, Swift begins to rise. She tries to get the men’s attention, but they’re too busy arguing. Jackaby insists he burn the commissioner’s hat. As Marlowe considers, Jackaby tells them Swift has already woken up. As Marlowe turns to look at Swift, who is still barely conscious, Jackaby drops the hat in the fire. The hat and Swift burn into ashes, leaving only Swift’s leg braces and iron shoes behind.
Abigail fades in and out of consciousness at Jackaby’s house, where she and Charlie are both recuperating. Mona has been helping Jackaby take care of them. Jackaby tells Abigail Charlie will live, but Marlowe wants him locked away. He explains that Charlie is not quite a werewolf but comes from a reclusive, “nomadic” family of dog shapeshifters. Charlie transformed because he was overtaxed by the investigation. Jackaby draws Abigail’s attention to two paintings, one of Saint George and the Dragon and another of the Hindu legend Manu and the Fish. He explains that Saint George represents people like Marlowe, who protect others by fighting monsters, and Manu represents kindness and mercy. Abigail tells Jackaby about Hatun’s prediction.
Jenny checks on Abigail, and Abigail tells her she’s ashamed that she stood by while Charlie saved her life. Jenny tells her Jackaby was impressed with her courage. Later, Charlie wakes up and questions Jackaby about the preceding events. Jackaby explains that he and Swift never met, so he didn’t recognize the man for what he was. He recounts the killings of Bragg, who was investigating the murders; Henderson, who was mistakenly believed to be a witness; and Mrs. Morrigan, who was warning victims of their impending demise. Marlowe arrives at Jackaby’s house. He says he’s arranged for Charlie to begin a new life away from New Fiddleham. He also tells them there will be a memorial for the victims, including Swift; he doesn’t want to spread more panic by publicizing Swift’s true identity.
Jackaby arranges for a place for Charlie to stay. Charlie tells him he will continue working as a police officer, and Abigail tells Charlie to write. Charlie is uncertain, but Jackaby encourages him to reach out. Abigail spends the following days at the pond with Jenny and Douglas. While she rests, she hears Jenny and Jackaby talking about her future. Later, she considers all the memorabilia around Jackaby’s home.
Abigail and Jackaby attend the memorial. Jackaby is upset that Swift is being honored. Jackaby announces that henceforth, Abigail will be regulated to office work. Abigail argues, but Jackaby is adamant. A group of banshee women comes to mourn Mrs. Morrigan. Other mourners approach and leave mementos on the coffins, but Swift’s remains empty. Jackaby approaches Swift’s coffin. Marlowe is cautious and thinks Jackaby is going to cause trouble, but Jackaby just leaves Swift’s iron shoes on the coffin. As he storms off, Abigail catches up and indicates that she agrees with his actions.
Abigail begins her office work, and Jackaby arrives with mail. Abigail has received a letter from Charlie in his new identity. Jackaby announces that he’s been called to attend to a sick cat who may be undergoing a metamorphosis. He prepares to trace the aura of his letter, but Abigail suggests reading the return address instead. However, he refuses to let Abigail come along. Abigail argues that it is too late since she’s already been misled beyond repair. Jackaby gives in and offers her the gift he ordered: a leather detective’s notebook. Together they embark on their next adventure.
Jackaby has written to the police, attempting to retrieve the tuning fork he lent to Henderson, which had been confiscated as evidence. Jackaby recounts how he came to possess three tuning forks with supernatural properties. Each one was made from an old church bell and became “a pure and concentrated version of its former self” (297). One made a sound of tragedy, one made a sound of comfort, and one made a sound of joy. Jackaby gave the calming one to Henderson. Alongside Jackaby’s letter, Abigail wrote a short note asking for the fork to be returned.
The final section encompasses the novel’s falling action, denouement, and setup for the rest of the book series. After the violent events of the climax, the central characters are left to deal with the fallout. Abigail faces her failure in the face of true danger; however, Jackaby and Jenny have accepted her as part of their family. Her potential future with Charlie is ruptured by the constraints of society and its perceptions of the truth. As Marlowe explains, it doesn’t matter that Charlie is a hero; he will never be welcome in New Fiddleham again. Jackaby, however, comes to Abigail’s rescue and says what she cannot.
In classic detective-novel style, the denouement includes Jackaby, the central hero, recounting the mechanics of the mystery. He details what each piece of the puzzle meant and how the story’s events came to pass, including each of the deaths and how they went undetected for so long. Even in his heroism, however, he remains at the fringe of society—an illustration of Social Dynamics at play—and cannot prevent Charlie’s exile. Due to his lack of influence in the city, he can only voice his disdain while Marlowe arranges for Charlie to run away and for Swift to be honored in his place. When the memorial arrives, Jackaby is able to make one small gesture by leaving Swift’s shoes and braces with his coffin. However, he still has to walk away, knowing that injustice has prevailed.
By the novel’s end, Abigail and Jackaby are preparing to begin new adventures together. However, Hatun’s prediction of Abigail’s demise still lingers, and unanswered questions remain about where Abigail and Charlie’s path might lead. These key points offer the story a way into the rest of the series; however, the novel closes all its core plot points so that it stands alone as a finished work. In the final “Supplemental Material,” Jackaby provides further background information that does not connect to the novel’s plot but provides an opportunity for further characterization in Jackaby and Abigail’s contrasting approaches. It also allows the reader to linger in the novel’s world a little longer.
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