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67 pages 2 hours read

Kim

Fiction | Novel | Adult | Published in 1901

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Character Analysis

Kim

Kim (Kimball O’Hara) is the book’s main character, and the vast majority of its scenes have him at their center. The novel is written in the perspective of third-person omniscient (following characters from the outside, but with the ability to move from character to character and even to describe their inner states). Such a perspective would allow for switches to other characters beyond Kim, but the narrative only rarely does this. It is Kim’s experience, and Kim’s alone, that dominates the book. Kim is white, the orphan son of an Irish regimental soldier and his wife, but he is left with only minimal guardianship after his parents’ death. Thus, he grew up learning Indian culture as an insider, a street urchin in the markets of Lahore.

Kim’s smooth confidence in his native Lahore is matched by his bright and vivacious character. He delights in games and intrigues, anything that catches the fancy of his clever mind. He can spin a story as he tells it, with a natural ability to understand people’s reactions and play to his audience. Kim’s character contains an inner tension, however: while he can understand the outside world and other’s people’s reactions with confidence and ease, he cannot understand his own identity and the role that he plays in the world. This inner tension grows throughout the book, particularly after others discover that he is white. Thrust into the cross-cultural experience of a British boarding school, Kim wrestles with his sense of identity, apparently unsure of where he fully belongs, if anywhere.

The tension in Kim’s self-perception is amplified by the choices set before him. By the end of the book, he has two possible roads he could take, each of which has commanded a great deal of his devotion and attention. He could go with the lama to find enlightenment at the river, or he could enter the service of the British intelligence agency as a spy. Both lie open to him as options at the end of the book, and the tension about his future reflects the tension he feels about his own identity.

Despite this tension, Kim’s character matures throughout the book. He loses some of the boyish frivolity that characterizes him in the earlier chapters while retaining much of the wonder and curiosity that went along with it. Along the way, he learns how to channel his adventuresome instincts toward the concrete goals of intelligence-gathering. The Kim who wakes up from his illness at the end of the final chapter is wiser and more measured than the Kim who began the book, but still unpredictable enough that the reader cannot guess what choice he will make.

The Lama

Teshoo Lama (simply called “the lama” throughout the book) is introduced in the first chapter. He is a Buddhist lama, formerly an abbot, from the hill country to the north. The lama is engaged in a quest to visit the sites of the Buddha’s life, culminating in a search for the legendary Arrow River, where he believes he will attain enlightenment. Kim latches onto the lama, declaring himself the lama’s chela (disciple). In the early chapters, the lama’s quest gives a sense of directionality to the otherwise directionless impulses of the boyish Kim. The lama’s quest even allows Kim to describe his lingering questions about his father’s last words to him as a quest of his own. Further, the lama’s perspective on the world provides a foil to Kim’s wide-eyed exuberance, constantly reminding Kim that everything he sees is in bondage to the Wheel of Things.

The lama figures most prominently in the first and third sections of the book, being largely absent from the second section while Kim is enrolled at school. He does not vanish from the narrative entirely in those chapters (6-10), but he is mainly behind the scenes, funding Kim’s education and occasionally popping up in a brief scene here or there to check in on Kim. In the final third of the book, Kim and the lama resume their quest for the river. Although the lama often appears pessimistic about the state of the world, he appears to be brimming with hope for their journey. He regards their discovery of the river as a certainty now that Kim is back with him again.

Throughout the book, the lama functions as the voice of Buddhist doctrine, and Kipling deals with the Buddhist perspective with great sympathy. Of all the religions and cultures that hold a place within Kim’s narrative, the Buddhist voice of the lama comes across most clearly. The character of the lama experiences changes throughout the story, but they are all in line with the Buddhist experience. He is prone to reevaluate himself, his actions, and his preconceptions whenever something goes wrong and blame his missteps for the problem. His introspection and repentant spirit are matched, though, by his faith that their journey will ultimately lead them to the river in the end.

Mahbub Ali & Hurree Babu

Throughout the book, these two characters stand in very similar roles, both serving as Kim’s native mentors in the British intelligence agency. Whenever Kim is deployed on a training mission in espionage, it is always either Ali or the Babu who oversees him. Both men also reflect the book’s interest in India’s religions. Ali is a Muslim, though one that appears not always to be entirely convinced of his faith. He regularly tells others that he thinks his doctrine calls them idolaters who will surely be damned but then immediately follows up with expressions of doubt or affection. The Babu, similarly, often appears as a Hindu (disguising himself as a hakim), but he, in fact, espouses agnosticism.

Mahbub Ali is a Muslim horse trader, first introduced in Chapter 1 in Lahore, and he uses the opportunities provided by his frequent travels and commerce to gain useful information and pass it on to the British. Hurree Babu, who is introduced in Chapter 9, also serves the British in intelligence gathering, in his case as part of the ethnological survey department. For the Babu, ethnological survey work is no mere cover for his espionage; he sincerely loves the work and hopes one day to be recognized for it as a member of a prestigious British ethnological society.

Mahbub Ali and Hurree Babu are secondary characters without much of a development arc within the story. They serve a purpose as mentors to Kim in his spycraft, but both retain their own perspectives throughout. For example, the Babu is the character who witnesses the lama’s discovery of the Arrow River but remains solidly agnostic: he depicts that scene as the lama falling into a brook and needing rescue, whereas, in the lama’s eyes, it is nothing less than plunging into the river of enlightenment.

Colonel Creighton

European characters (other than Kim) do not feature prominently in the narrative. When they arise, as in the case of the regimental chaplains or Lurgan, it is usually just for a single chapter. Colonel Creighton is the exception to that rule, appearing here and there throughout the book, though always as a secondary character. His share of the narrative is comparatively smaller than either that given to Mahbub Ali or Hurree Babu, but the colonel’s role makes him an important character, nonetheless. He is first introduced in Chapter 2, when Kim delivers Mahbub Ali’s secret message to the British headquarters in Umballa, although neither Kim nor the readers yet understand his full role. Later on, after Kim is brought to his attention, Creighton takes on a more significant role.

Creighton, who heads the ethnological survey and intelligence activities for the British, is depicted as an exceptionally smart and capable man who, like Kim, loves the diversity of India’s cultures and the intrigue of “the Great Game.” He is cautious and measured in his approach, such that Ali often has to prod him to prepare for the next step in Kim’s training. In that regard, he is very much a British character in his temperament, but for the most part, he operates as a foil against the novel’s standard portrayal of the British. Over and over throughout the text, sahibs are portrayed as people who are generally clueless about the way things really work in India, to the extent that the native population can manipulate their prejudice to make things come out a certain way. Creighton, however, does not fall into this category of sahibs. Instead, he is presented as knowledgeable and in control. Still, he is very much the exception to the novel’s depiction of the folly of sahibs.

The Kulu Woman & the Woman of Shamlegh

Almost all the significant characters in Kim are male, but it would be remiss not to take note of the parts played by two women, both of whom function in similar roles. The Kulu woman is first introduced in Chapter 4 and is mentioned sporadically throughout the remainder of the novel. She is the old lady whom Kim and the lama meet along the road, the widow of a hill-rajah. She offers the lama hospitality within her company when Kim has to separate from them to go to school, and she appears again near the end of the book in a similar role. The woman of Shamlegh makes her appearance in Chapter 13 also as a provider of hospitality when Kim and the lama are trying to hide out from the foreigners in the aftermath of the fight.

Both women only have relatively brief scenes, but both emerge as compelling characters in their own right. In both cases, the women offer a foil to Kim and the lama’s idealism. The Kulu woman is sharp-tongued but wise. She knows what she wants (a charm to provide a blessing for the birth of a grandson), and she can use her words to get it despite the lama’s idealistic objections about the nature of his Buddhist faith. The Shamlegh woman meets Kim at the height of his success as a spy, having just stolen precious documents to deliver over to the British authorities, but she tempers the feeling of that moment by telling her own story of abandonment at the hands of a British officer. In both cases, the women cut through the idealistic notions held by others, providing a view of reality that is less pristine but perhaps more emotionally authentic.

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