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41 pages 1 hour read

One Day in the Life of Ivan Denisovich

Fiction | Novel | Adult | Published in 1962

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Pages 46-85Chapter Summaries & Analyses

Pages 46-58 Summary

Shukhov covers his face with a rag while walking toward their work site at the power station on the barren steppe: “Bare white snow stretched to the horizon, to the left, to the right, and not a single tree could be seen on the whole expanse of the steppe” (48). The men walk in silent contemplation, and Shukhov, hungry since he did not have his bread at breakfast, focuses on the letter home he will soon write. He is allowed to write two letters that year (1951). Shukhov would not write more often if he had the chance because he does not have much to tell his family and he gleans little from his wife’s letters. She has written that men returned from the war do not farm but live in the village and take other work including painting carpets, which is lucrative. Shukhov’s wife hopes Shukhov will get a job painting carpets when he returns home, but he feels the work would be demeaning.

The prisoners are stopped outside the gatehouse to wait for guards to fill the empty watch towers. Shukhov looks to Tiurin, whom he first met at another labor camp, Ust-Izhma. Tiurin is an adept squad leader, and Shukhov is loyal to him, receiving protection in return. The prisoners are counted again as they are led through the gate into the work area, and Tiurin, Pavlo, and Tzesar go to the office, where Tzesar works a “cushy job.” The prisoners disperse among the construction equipment and half-built structures. The 104th goes into the repair shop, and as Shukhov waits for Tiurin to return with work orders, he takes the bread from his pocket and slowly eats all but the crust. The two Estonians share a cigarette, and Alyosha prays while Buinovsky criticizes Fetuikov for crafting a cigarette out of butts he collected. Senka, who is deaf, misunderstands the interaction and tells Buinovsky he shouldn’t have been prideful during the frisking. They feel lucky to rest for 20 minutes, and Kilgas remarks that they have not had a snow day in a long time. They enjoy snow days, despite the fact they must make up the missed work on Sundays.

Pages 59-73 Summary

Tiurin returns with the work assignments. He sends the Estonians, Senka, and Gopchik to take a large box for mixing mortar to the power station, and sends the others to get tools, clear snow, light stoves, and fetch water and sand. Shukhov and Kilgas are to lay bricks on the second story after lunch, but first they need to find a way to cover the gap in the stove room so that it will retain heat. Kilgas and Shukhov are often paired together, and they have developed a mutual respect and call each other Vanya. Kilgas has hidden some roofing felt, but before fetching the roll, Shukhov runs to the spot near the repair shop where he hid a good trowel. As they cross the work site, Kilgas and Shukhov pass men from another squad attempting to dig holes in the frozen ground. Shukhov advises them to build fires to thaw the ground, but they aren’t allowed to. Kilgas leads them to the prefab building where he hid the roofing felt, and he and Shukhov carry it upright between them, so the guards won’t catch them with the material.

The mechanical lift is broken, so all the materials must be carried up to the second floor. The box for mixing mortar breaks, and the stovepipe is in disrepair. Tiurin reassigns the prisoners to new tasks: Shukhov repairs the stove pipe, Kilgas fixes the mortar trough, and Senka takes down the stair railing to create laths to tack up the roofing felt. If one person slacks, the whole squad is punished, so the squad members enforce hard work. Shukhov focuses on his work while Fetuikov and others bring in loads of sand and are scolded by Tiurin for stopping to stand by the stove. Tiurin leaves to turn in the work report: ”That was what kept the men fed. He had to prove that work which hadn’t been done had been done, to turn jobs that were rated low into ones that were rated high” (65). Gopchik brings wire to hold the stovepipe and asks Shukhov to teach him how to cast his own spoon. They continue working, and a truck delivers a load of bricks. Pavlo, Kilgas, and Shukhov go outside, and Shukhov is surprised to see the sun high in the sky. When they go back inside, Pavlo yells at a group of men sitting by the fire and tells them to go move bricks. Shukhov, Kilgas, and Senka work on hods to carry bricks; then, Pavlo gives permission them to sit by the fire until lunch.

Shukhov, who has served eight years, has two years left on his term, and the men joke about him having one “bare” foot out the door. He does not know if he will be let out once he has served his term—many prisoners are not. Newer prisoners, including Kilgas, are automatically assigned a 25-year sentence. Shukhov was forced to confess to high treason after he escaped from the Germans, who took him as a prisoner of war. In reality, his troop was starving in the woods and trying to survive on the soaked hooves of dead horses when German forces found them. Shukhov and four others escaped, but when they returned, three of the men were shot and the other two, including Shukhov, were accused of returning to spy for the Germans. Kilgas complains that life is hard in their “special” camp, but Shukhov feels it is easy because they have food and rest, and he doesn’t mind wearing prisoner numbers. Fetuikov argues that the prisoners kill each other, but Pavlo counters that only the “squealers” are killed. The dinner bell rings, and the men put down their tools.

Pages 73-85 Summary

Shukhov, Gopchik, and Pavlo leave for the canteen while the rest of the squad waits in the power station. The canteen is a dirt-floored “shanty” run by a cook and an inspector. The prisoners are served rationed oatmeal, and the cook gives out extra servings to prisoners who help carry the food or wash bowls. All food is shipped to the prison because the steppe cannot support any agriculture. The canteen is crowded. Shukhov collects bowls to return to the kitchen, Pavlo gets in the serving line, and Gopchik goes to fetch the other squad members. Pavlo reaches the serving window, and Shukhov clears people from the tables, then takes the bowls from Pavlo as the cook fills and counts them. The cook has to pause for clean bowls and loses his place counting, and Shukhov tells him they are at 14 when they are really at 16. The cook believes him and gives him two extra bowls. After he finishes his normal ration, Pavlo gives one of the extra bowls to Shukhov and the other to Buinovsky, who, unaware of the extra portions, remained seated after eating because he wasn’t ready to go back into the cold. Shukhov takes Tzesar his bowl of kasha and is jealous that the office is so warm. He overhears the superintendent complaining about the prisoners looting lumber for firewood, and he briefly listens to a conversation Tzesar is having with another prisoner about Einstein. When he realizes Tzesar is not going to offer him food or a cigarette, Shukhov returns to the power station, but on his way he stops to pick up a piece of a hacksaw blade, which he plans to hide in the power station.

Pages 46-85 Analysis

The Human Cost of Stalinism emerges as a dominant theme in this section, which uses situational irony to satirize the inefficiencies within the forced labor camp. Gulags are intended to enhance progress by providing a source of efficient labor; however, the actual conditions inhibit workers’ efficiency to an absurd degree. The transition from the barracks to the work area is a lengthy process involving multiple counts and the organization of work orders for the day. Once the 104th receive their general orders—to lay bricks on the second-story wall of the power station—they don’t have proper equipment, so they must devote the entire first half of the working day to preparing the work location. In the process, they put themselves at risk, first by using unauthorized materials and then by removing the railing on the ice- and snow-covered stairs. The natural environment of the steppe becomes an analogy for the prison: “The steppe was barren and windswept, with a dry wind in the summer and a freezing one in winter. Nothing could ever grow in that steppe, less than nothing behind four barriers of barbed wire” (76). The larger message is that such an oppressive environment is unconducive to social progress; a truly socialist nation cannot be constructed from forced labor.

Many of the characters’ backstories are revealed during this section. Their reasons for being imprisoned dramatize and satirize The Human Cost of Stalinism. Shukhov’s and Gopchik’s backstories are a case in point. Gopchik was imprisoned despite being an adolescent, and Shukhov was arrested after escaping from the Germans; his imprisonment is based on a false charge of treason that he had no choice but to confess to. Had the other escapees not been killed by fratricide, they could have backed Shukhov up and he would not have been imprisoned. The characters’ backstories demonstrate the injustice of Stalinism.

Survival and Solidarity Under Extreme Conditions is illustrated through the relationship between the squad members and their leaders. Members of the 104th are loyal and obedient to Tiurin: “Tiurin had only to list an eyebrow or beckon with a finger—and you ran and did what he wanted” (52). Although Tiurin’s authority is undisputed, in some ways he serves the squad as they serve him. For instance, Tiurin does not receive packages, but other members of the 104th do, and they give Tiurin goods so that he can bribe the prison officials and secure better working conditions. The squad leaders also use their power to manipulate work reports and secure higher food rations, and, unlike the prison guards, they demonstrate empathy and do not ask the members to work unnecessarily. Squad leaders will use violence to force individual members into compliance; however, in doing so, they protect the entire squad from being punished for the actions of individual prisoners. The social environment is organized to encourage the prisoners to hold each other accountable, which is exemplified through the work report the squad leaders submit. While the prisoners must work together to improve their conditions, the system inhibits true solidarity by encouraging prisoners to “squeal” on one another, compete for resources, and generally regard one another with suspicion.

Shukhov continues to represent The Power of the Human Spirit. Despite the injustice of his imprisonment and the harsh conditions of the labor camp, he holds himself to high standards, and in doing so maintains his dignity. By the same token, he looks down on individuals who do not share his values, namely Fetuikov, who begs for leftovers and is shown making a cigarette from the butts of others’ cigarettes. The two main features of Shukhov’s moral code are conservatism and a strong work ethic, the latter of which is illustrated through his opinion of carpet painting. Carpet painting is easy and does not benefit the community; thus, he finds it demeaning and does not plan to pursue it despite the fact that it is lucrative. For Shukhov, hard work is inherently valuable, and it provides him with a brief respite from his troubles: ”And then every thought was swept out of his head. All his memories and worries faded. He had only one idea—to fix the bend in the stovepipe and hang it up to prevent it smoking” (65). His ability to escape through work enhances his positive outlook, and his backstory explains why he is able to maintain a positive attitude in the first place. His experiences in the Soviet Army, where he and others were starved to the point of eating the boiled hooves of deaf horses, were much worse than life in the forced labor camp. This aspect of his backstory satirizes the sociopolitical conditions during Stalin’s reign.

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