42 pages • 1 hour read
Time has passed, and Marjane looks different. She has grown out her hair and is not wearing punk makeup or clothing. She is living in a communal apartment; Julie and her mother have left Vienna. She lives with eight gay men but has her own room. This is her first solo living arrangement since leaving Iran. The phone rings, and Marjane shares the happy news with her eight roommates that her mother will be visiting in two weeks. It has been 19 months since she last saw her mother, and Marjane has undergone an extreme transformation. Neither daughter nor mother recognize each other initially at the airport. Her mother has gone grey while Marjane has doubled in height and size.
As Marjane and her mother catch up, they reveal only snippets of the truth about the last 19 months. The mother does not wish to worry her daughter, and Marjane does not want to upset her mother. They spend 27 days together in Vienna, and her mother helps Marjane secure new lodging, cooks for her, and comforts her. News of life in Iran is bleak. Marjane moves into her new home, an apartment owned by Frau Doctor Heller, whom she calls “The Horse” because of her unfortunate appearance.
Marjane is tested in her new identity by a series of trials brought on by her decision to move and her decision not to leave school. Her new living arrangement proves stressful as The Horse’s dog constantly poops on her bed. At school, all of her old friends have left. Julie is in Spain, Momo has been expelled, and the others have moved. For the most part, Marjane keeps her own company, which she claims makes her more interesting.
She has a boyfriend, Enrique, whom she met through one of her old roommates. He invites her to an anarchist party, which she is excited about because she finally understands Western philosophy, and she believes that her youth during the revolution in Iran has primed her to understand anarchy. She is ultimately disappointed by the party, which is not unique or anarchist in any way. She and Enrique share a bed, and Marjane is ready to lose her virginity. When morning comes she is still a virgin and thinks that Enrique will break up with her because she is ugly. Instead, he confesses that he is gay, and they part as friends.
She meets Jean-Paul, who only befriends her for her math tutoring. She alters herself for him, putting on her best clothes, arriving early to meet up, and playing it cool. However, it turns out that this boy doesn’t want her, either. Finally, she meets Markus, a literature student. They develop a romantic relationship. At his house, his mother storms into his room and kicks her out. They go to Marjane’s apartment and The Horse calls her a prostitute and kicks Markus out. They have nowhere to go, yet she wants to be with him. He encourages her to buy drugs at a cafe, which she does. Soon she is dealing drugs at her school.
Marjane does not make money as a drug dealer and needs an income over the summer break. After several odd jobs, she finds a job as a waitress and befriends the cook, Svetlana, who spits in the food. She is warned by the school principal to stop selling marijuana on school grounds. She has some of the best grades in the school and is scared that she could lose her education, so she stops dealing drugs. She keeps using drugs, however, and increases her intake, resulting in a mind and a body that is tired and weak. She barely graduates and registers in 1988 for the University of Technology, which she does not attend.
Drugs are now ruining her life. She gets involved in political debates at a cafe and, later, at demonstrations against the right-wing government, though she is lackluster about the causes. She tries to get Markus interested, but he is writing a play and has no time. On the eve of her 18th birthday she is set to go out of town with friends, leaving Markus behind. Instead, she sleeps in and misses her train. She decides that she will spend the weekend with Markus and buys him hot croissants. She brings them to his apartment and finds him naked in bed with a blonde woman. They fight, and Markus asks her to leave. She never sees him again.
At the beginning of these chapters, Marjane speaks directly to the reader as she delivers key information to fill in the gap since her realization that she must find comfort in herself in order to find her place in the world. The breaking of the fourth wall lends authenticity to the thematic transformation that Marjane has undergone. She no longer is lying to herself and as a result is able to speak honestly and bluntly with the reader. Before this point, she is portrayed as an unreliable narrator. Chapter 6 marks a turning point, and Satrapi portrays Marjane as someone whose understanding of herself and her world can be trusted more fully.
Throughout Chapter 6, Satrapi portrays this major character development. Marjane is no longer seeking acceptance and assimilation, and as a result she finds her identity: a mix of the rebellious girl she was in Iran with the more conservative woman she has become in Europe. When her mother visits for the first time in 19 months, Satrapi portrays Marjane in her new form, interacting with her mother in an affectionate and yet gentle way. She is mature and yet vulnerable. She is comfortable with herself, in her new living arrangement, and in the presence of her mother.
However, this is short lived, and the conflict of the rising action centers upon Marjane’s experimenting with romantic partners and drugs. Her three relationships highlight a key message of the graphic novel: Comfort in oneself is the only way to be comfortable. When Enrique says that he is gay, Marjane looks elsewhere for love, honest with herself in her desire for romantic and physical love. When she meets Jean-Paul, changing herself for him fails. Finally, a third boy enters her life, and this time she is truly honest during their date, and she and Markus kiss. Satrapi suggests that when Marjane is true to herself, she finds happiness. Nevertheless, Marjane’s discovery of Markus cheating is in keeping with the novel’s realism: Satrapi conveys another setback as a reflection of the continued turmoil of the conflicting political ideologies in which she is entrenched.
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