69 pages • 2 hours read
Summary
Chapter Summaries & Analyses
Key Figures
Themes
Symbols & Motifs
Important Quotes
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The most prominent symbol in the book is the moon, which almost always represents good news or a guide. For example, the full moon dictates a lot of births in the book, such as when Socorro gives birth to beautiful twins. However, when the moon is not full, such as when Sophia is in labor, then “it’s not […] an easy birth” (172). The full moon also appears during the joyful occasion of Don Victor’s return and during the night Lupe and Juan lock eyes. Doña Margarita goes so far as to equate the moon with the Lord when she tells Juan to “[l]ook at the stars and the moon; God is here” (125). Doña Guadalupe also invests the moon with spiritual authority when she reveals that her “father, Leonides, always told me how the moon gave him a pathway of light on those nights that he rode from the authorities, saving my life. He said that the moon came down from the heavens” (235-36). The Moon, Salvador’s reliable and shiny car, is a guide and a positive force. Doña Guadalupe also reminds Lupe of “the power that we women felt, sitting under the light of the full moon,” once again equating the moon with a source of power (236). Even the Tarahumara Indians see the moon as a sign of positivity, as they paint “half-moons” on their faces when they attend the joyous occasion of Sophia’s wedding (157).
Throughout the book, different animals carry different symbolic weight. Parrots, which show up in the form of a gifted feather on Page 46 and as newborns on Page 51, are equated with love. The fawn, or deer in general, is a symbol of both beauty and intelligence. For example, it’s deer that lead Espirito to the original rain of gold in the box canyon. Also, when Lupe sees a fawn hidden by a tree, the animal reminds her of her handsome and brilliant colonel, and she keeps his likeness as a pet and best friend for years. Later on, when Juan sees Lupe as a teenager, he constantly likens her to a deer. Lucky for Juan, who wishes to be compatible with Lupe, a neighbor one time thinks of him as a “young buck” (373). Coyotes, on the other hand, are a sign of danger. For example, when Juan is trying to get some horse’s meat, maybe even some human meat, he is scared away by a group of coyotes, which turns out to be a blessing in disguise since he finds that some of the men he thought were dead were actually still alive. Coyotes also howl when the meteorite hits the box canyon; when Lupe’s father returns and has sex with Doña Guadalupe, deeply disturbing Lupe; and when Salvador abruptly goes missing from Lupe’s world. Finally, roosters play a fairly symbolic role in the book, as they seem to represent pomposity. For example, when Lupe first sees an untamed version of Salvador, he reminds her of “a strutting rooster” (328). Later on, when the two men who attacked Juan at a poker game want to send him a message, they put a dead rooster in his car, signifying the death of his cocky ego. Harry, the clothes vendor, also refers to Juan as a “prize rooster” when he lends him clothes for his wedding, further associating roosters with pomp and showiness, trademarks often displayed by Juan, especially at his longed-for wedding (451).
The title of this book, Rain of Gold, is also the nickname of the box canyon where Lupe grows up. The town earns this name because of its plentiful gold mines and lush landscape, and throughout the book it comes to represent the idea of natural abundance. Due to its boastful title, the town attracts “thousands of poor Mexican people […] hoping to get work” (13). However, the metaphor is especially apt because while the canyon is literally bursting with a natural reservoir of gold, its existence is both natural and transient, just like rain. The term is also used by Doña Margarita when she tells Juan that he is always able to find a “rain of gold;” in this case the rain of gold is a spattering of seeds in horse manure, but nonetheless the idea that a rain of gold provides momentary prosperity holds true in this instance as well (181). Later on, Juan makes the same comment about his nephew, Pedro, observing that no matter how bad things get, Pedro always seems to view life as “a rain of gold” (448). This demonstrates that the next generation will experience these brief moments of bliss and abundance as well.
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