53 pages • 1 hour read
Tarisai is the central protagonist of Raybearer, and the events of the novel are told from her first-person perspective. When she is first introduced, she is a seven-year-old girl who is searching desperately for her distant, absent mother. She lives in the realm of Swana, a region resembling the African savannah. She has a gift, or what she later learns is a “Hallow,” that allows her to take the stories or memories of other people, places, and objects. Tarisai is precocious and intelligent, quickly mastering the language and history lessons offered by her tutor, though she is unaware of why she must learn these skills. She is also obstinate and headstrong. Her willfulness only grows when she learns that she is half-ehru (half-genie) and that her mother can use magic to protect her. At the age of 11, Tarisai’s mother turns her over to her companions, Kathleen and Woo In, to be taken to the imperial capital to join Prince Dayo’s council, which will allow Tarisai to kill him. Tarisai is still innocent and naïve enough to venture into many new situations in the hope that she might be able to foster connections with others.
Tarisai effortlessly connects with new people, drawing Dayo’s admiration and forging an immediate kinship with Sanjeet, who eventually falls in love with her. He refers to her as “sunshine girl,” in honor of the light and warmth that she projects. Tarisai does not view herself as positively as others do because she remembers her true nature and the terrible deed that she has been commanded to commit. After she is compelled to stab Dayo against her will, her self-worth diminishes even further, and she feels that she is not worthy of the love that her friends have given her.
Tarisai is a dynamic character because her estimation of herself and her abilities shift and evolve throughout the narrative until she finally realizes her full potential, thereby completing the expected arc of the traditional Bildungsroman. Instead of rejecting her own abilities and devaluing her intelligence, she comes to embrace her talents. However, she undergoes an arduous process to reach this point, for upon learning that she is a Raybearer like Dayo and is therefore eligible to become empress, she initially tries to deny this possibility because she does not believe that she is talented enough to be the leader that people expect. Sanjeet points out that he and others have always known that Tarasai is destined for greatness. She admits that she might have known this about herself all along, ruefully remembering “[t]he countless times [she] had blinded [herself] to Dayo’s faults, white-knuckling [her] intellect into submission. Pretending that his decisions were best” (228). One of Tarisai’s main conflicts is her internal quest to grow into her strength instead of shrinking herself to fade into the background. By the end of the narrative, this once innocent and ignorant little girl has become a confident young woman who evokes awe and admiration in those around her.
The Lady is Tarisai’s mother and acts as a key antagonist for Tarisai. She and Tarisai are said to look alike. The Lady is tall and has a cold, domineering aura, although Tarisai always notes the flowery scent of jasmine that emanates from her. When The Lady was a little girl, she lived with her brother, Emperor Olugbade, in the Children’s Palace, and like Tarisai, she also exhibited precociousness and eagerness to please. Also like Tarisai, she connected with others easily—far more easily than her brother, and she mastered their history and philosophy lessons far more readily than he did. After her brother betrayed her and banished her from Oluwan, The Lady began her transformation into the woman she is now: the cold and distant mother that Tarisai knows. As Melu explains, “Years of cruelty soured her own kindness. Her heart calcified to a self-preserving stone” (224). Given The Lady’s history and traumatic past experiences, she stands as a complex character who is simultaneously ominous and potentially sympathetic.
At the very least, The Lady functions as a villain with clear motivations. Tarisai eventually learns that although she believed that her mother was absent from Bhekina House, The Lady was hidden away in her study, watching Tarisai through an enchanted mirror. When Tarisai discovers The Lady’s secret journal, she reads The Lady’s sad admission of her regret over having to watch her daughter from a distance. The Lady frames this choice as a necessary sacrifice, but her real concern is to avoid using her final wish prematurely, and she willingly compromises Tarisai’s well-being for her own selfish ends. After The Lady’s death, she arguably works to redeem herself and her past actions when she visits Tarisai before departing for the Underworld. In this scene, Tarisai is initially cold to her, but The Lady has no ulterior motive. Instead, she simply says, “You are my daughter…I wanted to say goodbye” (366). The Lady’s pride, which lingers even after death, keeps her from offering a true apology to Tarisai, but she does utter her daughter’s true name before she leaves. This acknowledgment demonstrates that, in the end, The Lady is proud of her daughter and may even love her, in her own complicated way.
Sanjeet is one of Tarisai’s closest friends, and he eventually becomes her love interest. He is unusually tall for his age, and Tarisai learns that the other council candidates refer to him as “The Prince’s Bear” due to his size and his fierce protectiveness of Dayo (55). Despite his intimidating stature, Sanjeet still has a youthful appearance that contrasts with his harsh upbringing and the traumatic experiences of his childhood. His Hallow is the ability to see weakness in others; his cruel father took advantage of this gift by forcing Sanjeet to become a pit fighter in his homeland of Dhyrma, a land reminiscent of the Indian subcontinent. Sanjeet admits that he has been forced to kill people, and this fact weighs heavy on his heart, creating feelings of guilt and residual trauma. However, his violent past also motivates him to be loyal and protective; he no longer wants to use his Hallow to cause harm. His ultimate regret is that he could not protect his younger brother from his father’s decision to sell him to a mercenary group. Sanjeet sees a great deal of his younger brother in Dayo and is keen to protect him. At the same time, Sanjeet is reluctant to be anointed because he does not want to leave his mother at the mercy of his abusive father.
Sanjeet’s strong values and need to protect others cause him to experience strong emotions and to hold a harsh and pragmatic worldview. He cannot tolerate lying and has a strong sense of justice, bearing many of the qualities of a chivalric hero. For example, when Tarisai is compelled to attack Dayo, Sanjeet quickly jumps in to protect the prince despite his growing affection for Tarisai. He even refers to Tarisai as a “monster” and a “nightmare,” expressing his anger over the impossible necessity of choosing between the two people he cares about the most. Even so, he agrees to accompany Tarisai on her journey back to Swana, though he claims to be doing it “for [Dayo’s] sake” (179). Ultimately, this journey with Tarisai and his efforts to free her from her demons help him to exorcize his own and renew his love for Tarisai. Tarisai tells him that he cannot “be [her] savior” (278), but he also insists on remaining by her side and providing her with a reason to hope for the future.
Kirah is Tarisai’s best friend: the first true friend that the protagonist makes upon her arrival in Oluwan. Kirah wears a head scarf because she comes from a religious people who live in the Blessid Valley. Kirah’s homeland is a harsh desert that is akin to the deserts of the Middle East. Her Hallow is the gift of healing through song. Kirah is also mature enough to take on a motherly role among many of her fellow council members, singing them lullabies and checking on their well-being. Her faith and her gentle, thoughtful nature lead her to be selected as the next High Priestess of Aritsar.
Kirah experiences significant growth throughout the narrative. She is initially cautious and tends to adhere to the rules, frequently citing her mother’s advice about society’s rules and expectations. However, as Kirah grows into a young woman and learns more about the world beyond the Blessid Valley, she begins to question her mother’s ways. As she tells Tarisai, “I’m far away, Tarisai. From all of them. And the more I learn, the farther I feel. I don’t know where home is anymore” (78). Eventually, Kirah’s inquisitive and critical nature allows her to serve as one of Tarisai’s most helpful companions as the protagonist searches for answers about Aiyetoro’s mask and discovers how to free herself from her mother’s curse. Kirah is practical enough to create workable plans and always sees the best in everyone. She reminds Tarisai not to give up and tells her that she can choose her own identity. In the end, Kirah becomes a trusted confidante and a rule-breaker who encourages Tarisai to find her true purpose and use it to change the world.
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