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Esch is suffering with morning sickness and cannot sleep. Alone, she reads from Mythology again, and in it is “someone [she] can recognize” (38). Skeetah brings Esch to see China and the puppies and they find that one puppy isn’t eating. Skeetah tries to bring the puppy to China but she growls and attempts to bite him. Skeetah suspects that the puppy has parvovirus. He chooses to separate the puppy from China and the rest of the litter, to “Make it easy for him till he dies” (41).
Esch and Skeetah head outside with the sick puppy and Junior is suspicious. He threatens to tell Randall that Skeet is going to do something bad to a puppy. Randall challenges Skeet, saying he can still do something about it, but Skeet has resolved to kill the puppy, because the other puppies will get sick if they don’t get rid of it. Esch goes along with him to the Pit.
Esch and Skeet head out into the woods and Skeetah shoots at a squirrel. He tells Esch that she and Manny “don’t look right together”, Esch protests, but only in her mind. Marquise and Big Henry show up later and they have sandwiches made of squirrel meat and hot sauce. Esch eats gingerly so as to not vomit again and make them suspicious. She doesn’t want to have to lie. The puppy is still with them and Skeet asks Esch if she wants to name it. It’s a girl. Esch names her “Nella”.
Randall and Manny arrive and they ask Skeet how and when he’s going to kill the puppy. Randall talks about how their mother killed chickens. She twisted their necks, true and swift. Later, assured by Randall’s advice, Skeetah kills the puppy: “Through the trees, there is a new moon, and Nella is singing to it…When Skeet grabs and twists, his hands are as sure as Mama’s” (52).
Later, all of them head to the Pit to wash, each of them stripping down naked to get in the water. While everyone else is distracted, Manny swims over to Esch, grabs her hand and wraps it around his penis. She goes to touch his chest and he moves away from her, as though he’s disappointed. “‘Naw, Esch…you know it ain’t like that,’ he says, and the pain comes all at once, like a sudden deluge” (56). Esch, reflecting on her love for Manny, compares it to “the way Medea felt about Jason when she fell in love, when she knew him; that she looked at him and felt a fire eating up through her rib cage, turning her blood to boil, evaporating hotly out of every inch of her skin” (57). Esch feels so strongly for Manny that she “cannot imagine how Manny does not feel it, too.” (57)
The parallels Esch draws between herself and Medea are very strong in this chapter. Esch notes that the quality they share makes it impossible to resist Manny: “When Medea falls in love with Jason, it grabs me by the throat. I can see her. Medea sneaks Jason things to help him: ointments to make him invincible, secrets in rocks. She has magic, could bend the natural to the unnatural. But even with all her power, Jason bends her like a young pine in a hard wind; he makes her double in two. I know her” (38). Manny’s manipulation of and cruelty towards Esch is only hinted at here but is more directly illustrated in Manny’s rejection of her later in the chapter. While they are all washing in the water, he reveals to her quite simply that “it ain’t like that” between them, and this crushes her. He swims away nonchalantly, and her pain at this cold dismissal is echoed by imagery of death: Skeetah shooting a squirrel and then killing the Nelly. Esch even uses the image of the “squirrel dying in red spurts” to describe how Manny “makes [her] heart beat like that” (47). Esch’s feelings for Manny are no more important to him than the sick puppy or the dead squirrel. Although Esch may not recognize it in her own mind, it is hardly a surprise that Manny treats her this way. He shows no tenderness or intimacy with her when they have sex; he refuses to kiss or, or really touch her and virtually ignores her around everyone else. This reality dawns on her when she thinks of her father’s wisdom: “I hear Daddy say something he only says in his sober moments: What’s done in the dark always comes to the light” (56).
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