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76 pages 2 hours read

The Brief Wondrous Life of Oscar Wao

Fiction | Novel | Adult | Published in 2007

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Part 2, Introduction-Chapter 5Chapter Summaries & Analyses

Part 2, Introduction Summary

In an interlude told from Lola’s perspective, the narrative flashes back to Lola’s time in Santo Domingo as a teenager. After 14 months, La Inca tells Lola it is time to return to her mother and brother in Paterson. Despondent and defiant, Lola writes, “If you ask me I don’t think there are any such things as curses. I think there is only life. That’s enough” (205).

In a series of decisions Lola now characterizes as extremely immature, she quits the track team, dumps Max, and becomes sexually involved with a classmate’s father. After a series of motel trysts, Lola demands he pay her $2,000; reluctantly, he agrees. She plans to use the money to escape to Japan or India.

When her mother arrives in Santo Domingo, her first words to Lola are that she looks ugly. As Lola prepares to run away with the money, she learns that Max died in a bicycle accident at work. Lola decides to give the money to Max’s mother and little brother and to return to Paterson with her mother. She cries the whole way back to America. Lora writes, addressing an unidentified reader, “I know this sounds ridiculous, but I don’t think I really stopped [crying] until I met you” (210).

Part 2, Chapter 5 Summary: “Poor Abelard, 1944-1946”

Yunior tells the story of Belicia’s father, Dr. Abelard Luis Cabral, and his downfall at the hands of the Trujillo regime. The Cabrals belong to an old lineage whose status dates back to 1791. Abelard is a prominent surgeon who was trained in the finest schools in Mexico. In addition to his salary, he possesses a lucrative real estate portfolio that includes supermarkets, farms, and factories. Fluent and well-read in multiple languages and disciplines, Abelard is, in Yunior’s words, “a Brain.”

To survive as an intellectual in the time of Trujillo, Abelard continues to hold debates in his parlor, but he prohibits discussions of contemporary politics and invites anyone to join him, even Secret Police members. His private views notwithstanding, Abelard gives off the appearance of a loyal follower of the dictator.

Abelard may have never run afoul of Trujillo if not for the fact that in 1944, his daughter Jacquelyn became a great beauty. Yunior says, “In Trujillo’s DR if you put your cute daughter anywhere near El Jefe, within the week she’d be mamando his ripio like an old pro and there would be nothing you could do about it!” (217). He goes on to call the Dominican Republic under Trujillo “the world’s first culocracy” (217)—“culo” being a vulgar slang term for “butt” similar to “booty.” Starting that year, Abelard stops bringing his daughter to official functions where Trujillo may be present. To make sure he has a valid excuse, Abelard goes so far as to convince a colleague to falsely diagnose his wife as manic so, if asked, he can say Jacquelyn is at home caring for her. The only two people to whom he reveals his duplicity are his mistress Lydia Abenader and his old friend Marcus. Lydia tells him to send Jacquelyn away immediately while Marcus says there is nothing Abelard can do.

One evening, at a presidential event where Trujillo goes down a line shaking every guest’s hand, he stops at Abelard and inquires about his daughters. Despite his terror in the moment, Abelard responds smoothly, saying, “Yes, Jefe, you are correct, I have two daughters. But to tell you the truth, they’re only beautiful if you have a taste for women with mustaches” (222). After a brief pause, Trujillo laughs, and for the moment a crisis is averted.

As 1945 begins, Abelard believes he may be in the clear. In a few months, Jacquelyn will start studying at a top boarding school in France. Then, in February, Abelard receives an invitation sent straight from the palace explicitly requesting Jacquelyn’s appearance at an upcoming presidential event. Jacquelyn’s name is even underlined. Abelard immediately regrets not following Lydia’s advice to send his daughter away much earlier. Now it is too late.

On the day of the event, Abelard convinces himself that the invitation is merely a test of his loyalty and that Jacquelyn will be safe. When he sees his daughter in a beautiful dress minutes before they are set to leave for the party, however, Abelard knows she must stay home. At the event, when he apologizes for Jacquelyn’s absence, Trujillo merely says, “So I see” (233), as a mortified Marcus looks on.

Less than a month later, the Secret Police arrest Abelard for “Slander and gross calumny against the Person of the President” (233). The official source of this charge is a matter of debate, Yunior writes, but the consensus is that it stems from a drunken comment Abelard made a few days after the event in the company of Marcus. Apparently, he joked about bodies in the trunk of his Packard, a car associated with Trujillo’s early reign of terror. While some say Abelard made an explicit reference to Trujillo by using his name, Yunior doubts this is the case. Whatever the exact nature of the comment, however, Yunior is fairly certain Marcus was the informant. Yunior also provides an alternative explanation for Abelard’s arrest: that it had nothing to do with Jacquelyn nor with an offhand insult. Rather, it was because Abelard wrote a book arguing that Trujillo’s evil power originates in the supernatural.

On the way to the police station, the arresting officers assure Abelard that the situation is likely a misunderstanding, but when he starts asking questions at the station, one officer bloodies his nose. He is put into a holding cell along with other prisoners who are told that Abelard is gay and a communist. The other prisoners strip him of his clothes and force him to sleep in the filth of the latrine.

Eight days later, Socorro tracks down Abelard and is permitted to see him. To Socorro, her husband looks destroyed, shuffling around the visiting room with fresh cuts and bruises from a brutal interrogation the night before. A few days later, Socorro discovers she is pregnant with Belicia. Yunior asks, “Zafa or Fukú? You tell me” (242).

A few months later, Abelard is sentenced to 18 years in prison. The family loses all its properties, some of which are meted out to individuals in Abelard’s company when he made the alleged insult against Trujillo. Not long after, Socorro gives birth to Belicia. In a matter of weeks, Socorro steps into moving traffic and is killed instantly by an ammunition truck. Jacquelyn is sent to live with her godparents, and her sister Astrid is sent to live with out-of-town relatives. Two years later, Jacquelyn drowns mysteriously in a pool filled with only two feet of water. Three years after that, Astrid is killed in church by a stray bullet. Abelard dies in 1961 after living his final weeks with brain damage caused by torture. Only days later, Trujillo is assassinated.

As for Belicia, Yunior believes that no one in the family wanted her because she was too sickly and too dark-skinned. A woman named Zoila nurses her back to health, only for Socorro’s distant relatives to snatch her away in the hopes of a cash reward from the Cabrals. With the Cabral fortune decimated, the relatives give Belicia away to individuals Yunior calls “savages” who live in a poor, remote part of Azua. Those individuals then sell Belicia to an even poorer family.

During the period Yunior calls the “Fall” of the Cabrals, La Inca is grieving the recent loss of her husband. Despite learning of Abelard and Socorro’s fates, she is too distraught to come to the family’s rescue. She lives with this shame until 1955 when she hears about a stubborn girl living in Azua who insisted, against her guardians’ wishes, that she attend school. She paid for this disobedience by having hot oil splashed on her back. What’s more, the girl is rumored to be La Inca’s relative. The moment La Inca lays eyes on Belicia, locked in a chicken coop and grievously burned, she knows the girl is Abelard’s presumed-dead daughter.

Part 2, Introduction-Chapter 5 Analysis

Before going back in time to relate Abelard’s tale, the book offers another brief interlude told from Lola’s perspective. In it, she gives one of the most compelling counterarguments to Yunior’s claim that the Cabrals and de Leóns’ hardships are caused by fukú. She says, “That’s life for you. All the happiness you gather to yourself, it will sweep away like it’s nothing. If you ask me I don’t think there are any such things as curses. I think there is only life. That’s enough” (205). Unlike Oscar and Yunior, Lola has moved past looking to fairy tales or the supernatural to explain the emotional and physical devastation visited upon her family.

It is an open question whether this means Lola is able to “break” the curse, at least for herself. Her view of her family’s misfortune is that it’s the consequence of either institutional trauma or inherited, generational trauma. Abelard’s victimization at the hands of Trujillo leads to Belicia’s early years in a horrifically abusive household. As a result, she struggles to receive love growing up and, in turn, has little of it to pass along to Lola. Whether the explanation is fukú or something more mundane, the circle of trauma sustains itself, unbroken—or, as Yunior puts it in the book’s Introduction, “[N]o matter what you believe, fukú believes in you” (5).

Lola may break the cycle yet. It depends on whom she is speaking to when she writes, “I don’t think I really stopped [crying] until I met you” (210). Maybe it is Yunior, though that seems unlikely given the tumultuous and ultimately doomed nature of their relationship. A more likely candidate is Lola’s unnamed daughter, who appears in the book’s final chapter. She is named by Yunior as the family’s best shot at breaking the fukú curse, and perhaps this is because Lola finds a way to give her daughter love, despite never receiving it herself. Thus, the inherited trauma would finally come to an end.

Next, the narrative returns to the early days of Trujillo’s regime. Here, the author references a number of incidents that position Trujillo as one of the worst monsters of the 20th century, despite the fact that the dictator remains a relatively obscure figure in American culture. The most horrifying of these incidents is the 1937 Parsley massacre, during which Trujillo ordered the Dominican military to slaughter as many as 20,000 Haitians and Haitian Americans in one of the most destructive yet relatively unknown acts of genocide of the 20th century. The motivations for the genocide were racist. Trujillo drummed up hatred toward Haitians, who are predominantly of African descent, and many Dominicans of African descent were also killed in the slaughter. These long traditions of anti-Black racism help explain the colorism Belicia faces as a Dominican with very dark skin. According to Yunior, these racist attitudes directly contribute to Belicia’s trauma; he writes that none of Belicia’s relatives wanted to take in such a dark baby, leading the infant to fall into the hands of a series of abusive foster parents. Once again, the “curse” of the Cabrals is the result of prejudice and social injustice rather than the supernatural—which is ironic given that the very reasons nobody wants a baby like Belicia are rooted in superstition. 

Another non-supernatural explanation of the curse emerges here: conventional masculinity. The catalyst for Abelard’s arrest—which, to Yunior, is the start of the Cabral curse—is Trujillo’s predatory sexual appetite. As Yunior writes, “Trujillo might have been a Dictator, but he was a Dominican Dictator, which is another way of saying he was the Number-One Bellaco in the Country” (216); “bellaco” is slang in many Central American countries for a sexually rapacious man. Abelard is willing to tolerate all manner of injustice by the Trujillo regime, but when Trujillo goes after his daughter, his patriarchal instinct kicks in to protect her.

Still, Yunior looks for supernatural explanations. He mentions a rumor that Abelard was killed not because of his comment about the car trunk and not because of Jacquelyn, but because he wrote a book about the supernatural roots of Trujillo’s power. Again, Yunior is most comfortable discussing trauma and genocide using the language of fictional texts, rather than attributing these atrocities to more familiar threads of insidiousness, like masculinity and racism. Perhaps in a projection of his own views onto Oscar, Yunior writes, “Oscar, as you might imagine, found this version of the Fall very very attractive. Appealed to the deep structures in his nerd brain. Mysterious books, a supernatural, or perhaps alien, dictator [...]—that was some New Age Lovecraft shit” (246).

Finally, Yunior revisits the notion that the lines between fukú and zafa are blurrier than one might expect, at least when it comes to the Cabrals. Shortly after Abelard’s imprisonment, Yunior writes, “It wasn’t so long after that visit that Socorro realized that she was pregnant. With Abelard’s Third and Final Daughter. Zafa or Fukú? You tell me” (242). On one hand, the affection Yunior instills in his readers toward Belicia and her descendants makes her imminent birth feel like a blessing—after all, the rest of the narrative wouldn’t even exist without Belicia. On the other hand, given the extreme hardship Belicia, Oscar, and Lola will face, the argument exists that her birth may simply be a way for the fukú curse to sustain itself. This view is in line with the mysterious intent of the mongoose, who keeps the Cabrals and de Leóns alive while also dooming them to suffer even greater hardship because of the curse.

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