64 pages • 2 hours read
Backstage, Thea helps the twins get ready before meeting Gavin. She is surprised and unsettled to see him well-dressed and unusually flirty. When a fan approaches Gavin, his disapproval of Gavin’s teammates and apparent discomfort with Gavin’s stutter prompt Thea to silently offer support by holding Gavin’s hand.
After the show, the preschool principal informs Thea that her letter of recommendation will be ready next week. Thea then tells Gavin that she applied to Vanderbilt to finish her degree. Gavin asks when she made this decision, unintentionally sparking an argument that is cut short by the arrival of the twins. Trying to ease the tension, Gavin suggests they all go to their favorite restaurant, Stella’s. The twins are thrilled, but Thea is frustrated by the sudden plan. Gavin offers to drive both girls, but Ava insists on riding with Thea. During the drive, Amelia reveals that Ava now sleeps with Thea every night because she fears the dark, which concerns Gavin. When Amelia asks what Gavin is afraid of, he deflects with a lie, saying “clowns,” though his real fear is losing Thea and the girls.
Thea and Ava wait for Gavin; Thea is frustrated that he forced dinner at Stella’s by mentioning it in front of the girls. As regulars, the family is greeted warmly by the waitress, but Thea is preoccupied with Ava’s continued silence and wonders how best to support her through the impending divorce. She recalls her own trauma following her parents’ separation.
Gavin interrupts her dark thoughts by pointing out the daisies on the table, reminiscing that Thea had a daisy in her hair when they first met. Thea doesn’t remember. When Gavin asks about Vanderbilt, Thea responds coldly. The girls then bring up their Thanksgiving trip to visit Gavin’s parents in Ohio, which Thea forgot to cancel. When she explains, the girls begin whining and crying. Thea and Gavin’s attempts to redirect the conversation fail as Amelia loudly declares that Gavin is no longer home. The upset twins beg Gavin to stop playing baseball, and it becomes clear they overheard the argument from the night of his grand slam. To soothe them, Gavin offers to go home and read them a bedtime story.
Back at home, Thea declines Gavin’s help. While the girls sleep, Gavin reflects on when he first learned of Thea’s pregnancy. Spotting a wedding invitation from Thea’s father, Gavin asks why she did not mention her father’s recent divorce. Thea says it seemed insignificant. She then echoes her words from announcing her pregnancy, saying they “need to make some decisions” (83). Gavin responds by proposing again, telling her he is not ready to give up. He asks to move back in and, if he cannot win her back, promises to give her everything she wants in the divorce. Thea agrees under strict conditions: Gavin must move out after Christmas if things do not improve, sleep in the guest room, allow Liv to stay in the house, and he cannot say he loves her. They settle on Gavin moving back in on Wednesday.
Benedict’s attempts to court Irena fail as she consistently avoids him. Reflecting on their first meeting and shared love for gambling and risk-taking, Benedict remains determined. He arranges a meeting with Irena to renegotiate the terms of their relationship.
Benedict presents Irena with another gift, much to her annoyance. She calls his previous gifts of jewelry unnecessary. This time, however, Benedict gives her a fountain pen, a new invention, noting that it will make writing her daily letters to her younger sister easier. Irena reveals that their marriage scandal has negatively impacted her sister’s marriage prospects. Benedict, unfazed, asserts that there will be no heir unless Irena gives his courtship a fair chance. He proposes that they spend time together, publicly courting, to convince society that their marriage is a love match, which could improve her sister’s reputation. When Irena questions what Benedict can gain from the arrangement, he responds that he wants Irena’s love.
Liv confronts Thea about letting Gavin move back in, viewing it as a manipulative tactic. She admits she is worried about Thea and her consuming role as a WAG.
Meanwhile, Gavin meets with Del, Mack, Yan, and Malcolm to discuss his situation with Thea. Frustrated by Thea’s conditions, Gavin vents to the group. Malcolm points out that Thea’s requirements are an opportunity for Gavin to demonstrate his love through actions rather than words. Del advises Gavin to understand Thea’s “backstory” to connect with her. Gavin shares what he knows—that Thea’s parents divorced when she was 10, her father is a serial cheater, and her mother is a “narcissist.” Thea and Liv lived with their grandmother for years because neither parent wanted to care for them. Gavin also mentions Thea’s refusal to attend her father’s upcoming wedding, certain her father will cheat again. The group helps Gavin realize that when Thea kicked him out, it was a test—by leaving, he failed.
After some encouragement, Gavin shares a passage from Courting the Countess in which Irena reflects on losing her identity in marriage. Gavin recognizes how much Thea has changed since their marriage—and how oblivious he was to it because of his career focus. Gavin leaves to talk to Thea.
Thea promises the girls a surprise at home, and they are both thrilled to see Gavin there. As they settle in, Gavin notices Thea’s groceries and asks if they are bringing a turkey to Del’s house: Gavin made plans for them to attend Thanksgiving at Del’s with some of his teammates. Thea gets upset that Gavin made plans without consulting her, but Gavin points out that she could have done the same.
Later, Gavin tries to explain his reasoning, but Thea remains frustrated, noting that aside from Del’s wife, Nessa, she does not like any of the WAGs. After the girls are in bed, Gavin enters her room to set his own conditions for moving back in: Thea must attend the Legends’ annual Christmas party, go on weekly dates, and kiss goodnight. Thea eventually agrees. Gavin seals the deal with a kiss.
The following day, Gavin showers in the primary bathroom, catching Thea off guard. She accuses him of trying to tempt her with his body, and she undresses and showers in front of him. The two share a charged moment before Gavin storms out.
Gavin asks Thea if she used to masturbate after they had sex. When Thea admits she did, Gavin feels hurt, and they argue. Thea tells Gavin to leave her room.
Gavin attempts to apologize to Thea, but she shuts him down. Liv warns Gavin that if he ever hurts Thea again, she will poison him. Gavin thanks her for caring for the girls and being there for Thea despite everything.
Later, Gavin calls his family, who express disappointment that they didn’t visit for Thanksgiving. His mother, Susan, asks if they can come for Christmas, and Gavin hands the phone to Thea. After the call, Thea tells Gavin he needs to tell his parents about their breakup, but Gavin insists on waiting until after Christmas.
They arrive at Del’s house, where Nessa greets them warmly. As they talk, Nessa gently asks about Thea’s relationship with Gavin, and Thea is honest about their ongoing struggles. Mack interrupts their conversation and flirts with Thea, much to Gavin’s frustration.
Outside, Mack joins Gavin and Del, casually remarking on Thea’s attractiveness. Gavin punches Mack in the face. Thea rushes out to check on Mack, then orders Gavin back inside. She reprimands Gavin for his behavior and warns him about how it could affect the girls. Gavin apologizes as Thea walks away.
Del takes Gavin to the basement, where Mack apologizes for complicating things between him and Thea. They ask Gavin how things are progressing, and he admits to struggling. Gavin confesses to hearing Benedict in his head giving him advice. Del and Mack encourage him to listen to that inner voice, reminding him that his goal should be to court Thea, not seduce her.
One of the biggest critiques of the romance genre is its formulaic nature, which this novel subtly reimagines. Romances typically follow a three-act structure: an introduction with an inciting incident, a second act filled with plot “pinch points,” and a third act that introduces a crisis, climax, and resolution. While The Bromance Book Club adheres to this structure, it significantly deviates from the traditional formula. First, most romances focus on the early stages of a relationship—the “meet cute” or “meet ugly”—as it progresses into a committed relationship. The Bromance Book Club, however, begins with a couple already in a committed relationship but on the verge of breaking up. Second, although the narrative shifts between characters, Gavin is the central figure rather than Thea, a departure from most traditional romances, which typically emphasize the female protagonist. This stylistic choice pushes back against Gendered Stereotypes and Norms.
As The Bromance Book Club focuses more on Gavin’s experience, his friendships and support network play a more significant role in the narrative than Thea’s. Gavin’s journey is shaped by his reading of romance novels, with Courting the Countess providing a counterpoint to his relationship with Thea. This section of the novel falls into the second act of the traditional romance structure, with Gavin pursuing Thea romantically while she resists, enacting the classic push-and-pull dynamic of romantic fiction.
At the same time, this section highlights the critical communication failures in Gavin and Thea’s marriage, highlighting The Importance of Communication. The book club reminds Gavin how little he truly knows about Thea’s past: “It means that whatever happened to your wife before she met you plays a role in who she is today […] We are all the sum total of our experiences at any given time, and our reactions to things are shaped by them” (103). While Gavin insists their relationship was “perfect” before, it becomes clear that deeper issues were always present, just unspoken. Gavin avoided difficult conversations, especially about Thea’s family, in an effort to keep her comfortable. However, this avoidance ultimately deprived them of the emotional intimacy needed to sustain their relationship and overcome hardships.
Thea’s deep-rooted fear of abandonment, stemming from her parents’ rejection, made Gavin’s departure feel like a profound betrayal. To her, it mirrored the trauma of being left behind. Gavin, on the other hand, grapples with his own fear of rejection and tries to avoid conflict at all costs. When Thea asked him to leave, he complied, thinking he was respecting her wishes and preventing further pain, not realizing that his absence would only deepen her sense of abandonment. This pattern of avoiding difficult conversations in an attempt to shield each other only served to widen the emotional gap between them. Additionally, rather than try to talk it out or fight for her, Gavin left in seeming silence, making Thea feel unimportant. Thea, after years of being a WAG and suppressing her true self to support her husband, views Gavin’s leaving as both rejection and an inability to prioritize Thea.
Throughout the novel, Gavin insists that Thea kicked him out, while others point out that he chose to leave. This incident, framed as a “test,” reveals that Thea was hoping Gavin would take a firm stand for their relationship. His decision to leave, despite her request, felt like a betrayal, even though she had asked him to go. This separation is magnified by the initial conflict of Thea pretending to orgasm, which symbolizes her prior self-suppression and Gavin’s ego. Their relationship issues underscore The Importance of Communication: If Gavin and Thea had openly discussed their past traumas and needs, they could have better understood each other’s actions and what they symbolized in the context of their lives before meeting each other and assuming new roles as husband and wife. Instead, their silence and lack of knowledge of each other’s past breeds hurt and resentment, as they both struggle to comprehend the other’s emotional responses.
Similarly, miscommunication over Thanksgiving is avoidable on both sides. Gavin assumes that attending Thanksgiving at Del’s would be fine since they went there last year, and Thea didn’t object. However, he fails to consult her, which leads to her frustration. At the same time, Thea doesn’t communicate her intention to host Thanksgiving at home, assuming Gavin should already know. This lack of clear communication creates unnecessary tension, reinforcing the recurring idea of how unspoken expectations foster misunderstanding and resentment. Had they simply shared their plans, they could have avoided deepening the emotional rift, but their relationship is built firmly upon a system of miscommunication and misunderstanding. The deep-rooted nature of this fundamental flaw demonstrates the profound change both Gavin and Thea will have to undergo to learn to see each other clearly and start anew.
Mack and Gavin’s relationship further illustrates The Importance of Communication. Gavin’s hostility toward Mack stems from Mack frequently making jokes about sex and Gavin’s relationship with Thea. Because Gavin refuses to share the cause of his breakup, Mack has no idea that these jokes hit a nerve that is specific to ego and Gavin’s sense of traditional masculinity. What Mack intends as humor is, in reality, deeply hurtful to Gavin. This lack of communication leads to misunderstandings, culminating in Gavin punching Mack for flirting with Thea. This incident underscores how poor communication damages Gavin’s marriage and strains his friendships. Without open dialogue, even close relationships can become sources of conflict. Only when Gavin opens up to both his friends and Thea can progress and healing in his relationships begin.
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