37 pages • 1 hour read
Much of what Anna endured throughout the course of her life—from being legally kidnapped and locked in her father’s home for six months to her virtual disinheritance after her father’s death—would be all but unthinkable in a modern context. Anna, however, lived in 16th-century Germany, which restricted women’s rights in ways that exacerbated her struggles with her family. Nevertheless, throughout the course of the narrative, Steven Ozment downplays the severity of 16th-century sexism in anticipation of the reader’s likely preconceptions about the past.
Anna lived during a time when a simple outburst from a woman could signify more than just anger. She took a huge risk when she dared to be impolite in the presence of a delegation sent to dissuade her from litigation because “such arrogance, vulgarity, and anger in a public forum were associated at this time with witches, not with honorable women and loyal citizens” (155). Her “immodest” dress and flirtatious behavior also reflected poorly on her family—specifically, on her father—which became a point of resentment that triggered lifelong infighting.
While acknowledging that the 16th century was a more sexist time in Germany (and many other places) than the 20th, Ozment defends it against the stereotypes that he believes readers might hold about the past. He writes that Anna’s story is evidence that “women at this time were not powerless victims of male rule. They had both the ability and the opportunity […] to define themselves and their self-worth in fully satisfying ways through the spheres of life and work” (187-88). Pointing to the archive of surviving material on the subject, he writes that “the mainstream didactic literature and popular entertainments of these centuries were far more inclined to encourage a woman’s moral striving and inner talents than to dismiss or to demonize them” (189). Finally, the author concludes that “society's general attitude toward women at this time is more accurately described as condescending and protective than as hateful and dismissive” and reminds the reader that Anna’s father’s reputation suffered for his maltreatment of his daughter (189). Ozment would not deny that condescension toward women is a form of sexism, but he insists that conditions were not nearly as bad as the average contemporary observer might assume.
Although Ozment’s conclusions about the state of women’s rights in 16th-century Germany have attracted some skepticism—a 1996 Kirkus review called this element of his work “less persuasive[]” than others—historical scholarship on women (especially “ordinary” women) was less common in the 1990s than it has since become (“Book Review: The Burgermeister’s Daughter.” Kirkus Reviews, 1 Jan. 1996. Accessed 11 June 2022). In the context of scholarship that tended to discuss women merely as an oppressed class, Ozment perhaps sought to remind readers that women of the past were also individuals who interacted with the constraints placed on them in unique and sometimes rebellious ways.
While it might not be fair to blame Hermann Büschler for all of his daughter’s problems, nearly all of Anna grievances with her family and Hall can be traced back to either a failure or an act of cruelty on Hermann’s part.
The Büschlers lived in an age when marriages were frequently arranged by families rather than the individuals involved. Anna wanted to marry, but her father failed to arrange a marriage for her. In her early twenties—the age when most women of the era married—she “frequently […] complained to her relatives that her father was not helping her find a husband” (19). Anna claimed that this stemmed from Hermann’s selfish desire to keep the funds required for a dowry to himself. While the author cannot confirm this claim, we have no reason to believe that Anna would not have agreed to a decent match if her father had only made the effort to arrange one. Anna’s resentment regarding this failure lingers throughout the narrative and might have motivated her flirtations and affairs with Erasmus and Daniel.
Hermann’s cruelest act was his capture and imprisonment of Anna inside his home for six months—a “terrible event [that] created in Anna a lifelong rage, which complemented her youthful defiance” (193). Ozment makes much of this harrowing period, which he describes as the “defining moment” in Anna’s life (193), setting her on a path of struggle and litigation. Hermann’s cruelty in choosing this course of action; the Esslingen court’s oversight in allowing him to carry out this petition while Anna already had an outstanding legal complaint against Hermann in Hall; the indignity of Anna’s capture despite this course of action normally being reserved for individuals who were mentally unfit to make their own decisions—all of these combined in a singular moment of trauma that sparked a lifelong feeling of injustice and energized Anna for endless fighting.
Finally, Hermann decided to all but disinherit Anna in his last will and testament, leaving her “as little of the family estate as her father thought the law required” and in fact far less than Anna could expect to receive in a properly distributed inheritance (157). This set the stage for sibling infighting that continued for the rest of Anna’s life. Hermann Büschler’s posthumous act of cruelty was bad enough to make Anna’s siblings cut a deal with her for a greater share of the pie, but Anna claimed she only agreed to this deal to secure something rather than nothing and always intended to challenge it later. She would go on challenging this agreement alongside her new husband until the day she died.
Steven Ozment’s presentation and analysis of Anna’s life permits multiple interpretations of her morality and motivations. While he is clearly sympathetic to the traumas and injustices Anna suffered throughout her lifetime, Ozment also discusses moments when she appears irrational or when her contemporaries questioned her decisions. Readers may come down hard one way or another, but her story is just as open to interpretation now as it was in Anna’s own time.
Not every unfortunate event in Anna’s life is as obviously somebody else’s fault as her kidnap and capture. Anna’s signing on to the inheritance agreement with her siblings, for example, is a complicated affair. On the one hand, the agreement did not fully correct Hermann’s unfair last will and testament. On the other hand, Ozment suspects that Anna and her husband’s signing of the document despite their lingering concerns “is an indication, first, of their pressing need to satisfy their creditors, and second, of an unfortunate tendency on Anna's part, which will be seen again, to grab what the moment offers and not to ponder what the future holds” (134). It is up to the reader to determine whether Anna in this instance is a victim forced to accept a bad agreement to feed herself or an opportunist who could never be satisfied with anything.
The Esslingen court’s grand review of Anna’s disagreement with her siblings illustrates how widely Anna’s contemporaries varied in their interpretations of her actions. There was some significant anti-Anna sentiment on the witness stand, and “a case could be made that third-party testimony was weighted against Anna” (171). At the same time, some witnesses who had every reason to despise Anna, including a salt miner who had difficulty recovering funds he had loaned her, came out in support of her. Unsurprisingly, Anna’s siblings portrayed her as a “near sociopath” while “a few councilmen […] broke ranks and spoke good words as well as bad on her behalf” (170). Ozment writes that these powerful and contradictory reactions to Anna’s story can be explained by the way that she “tempted her contemporaries to take a second, critical look at their public lives and heroes, and to compare their own private desires with what society required of them—a prospect both frightening and exhilarating” (171-72).
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