34 pages • 1 hour read
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
After church on Sunday, Richard, Keri, and Jenna spend Sunday in their new home. They all enjoy spending time independently in the spacious wing of the house, which is far bigger than their previous apartment.
Mary makes the family dinner in her dining room. They enjoy a decadent roast in the well-furnished room, which features beautiful crockery and furnishings.
Mary tells Richard and Keri about her deceased husband’s collection of antique Bibles, one of which was housed in a box. Richard says that he has seen the box—the Christmas Box—in the attic. Mary explains that she sold most of the Bibles after his death, but kept a few of his favorites, including one where the seventh commandment reads: “Thou shalt commit adultery” as opposed to “Thou shalt not commit adultery.” (Mary finds the error amusing).
Keri tells Richard about Jenna’s dance recital. He tells her that he cannot go because he is too busy at work. Mary volunteers to go in his place.
They all toast to their new friendship and a happy Christmas season. It becomes clear to Richard and Keri that Mary was motivated to have live-in help more because she yearned for the company than because she needed help around her house.
Richard’s business is busy over the Christmas season. He enjoys the challenge of managing the new business, although this frequently takes him away from Jenna.
Richard starts to have recurring dreams about an angel which turns to stone. The dream becomes more vivid after they move into Mary’s home.
One night, there is music accompanying the dream. Richard wakes up and finds that he can still hear the melody. He follows it to the attic. It is coming from the Christmas Box and stops when Richard opens it. It is filled with letters. The first one opens with, “My Beloved One,” and details how much the writer (presumably Mary) misses the subject, particularly through the Christmas season (44).
Richard tells Keri about it the next morning; Keri doesn’t recall hearing any music.
Jenna asks her father to help her cut up paper shapes. He tells her that he is late for work and kisses her goodbye.
Mary reads the Bible every morning. Sometimes Jenna curls up on her lap and Mary reads to her from it.
Richard gets home late from work, as is often the case during the Christmas season. Mary gives him a storybook—Christmas Every Day by William Dean Howells—and insists that he go to read it to Jenna. Jenna is happy that he is going to read a story to her, especially seeing it’s a Christmas story; she falls asleep as she listens.
Mary asks Richard and Keri about the most important senses during Christmas. Mary tells them about how she loves the sounds of Christmas. Richard explains that he has emotive memories associated with the smells of Christmas.
On December 6, Mary is acting oddly. She leaves for long stretches, returning soaking and cold. Keri notices that Mary’s Bible is tear-stained. Finally, Mary tells Keri that she just found out that she has an inoperable brain tumor.
Mary asks Richard what the first Christmas gift was; he is not sure. He wonders whether Mary’s tumor is affecting her brain. Keri insists that she is trying to tell him something, but he is not listening.
The novella continues to establish the characters as Christian. It does this through its details, such as the family’s attendance at church on Sunday and Mary’s tear-stained Bible. The angels in Richard’s dream are characterized through a Christian lens as “divine messengers.” Christianity is connected to The Magic of Christmas; the wonder of Christmas comes from a divine source.
Richard, Keri, and Jenna’s growing connection with Mary is depicted via their routines, which increasingly involve them spending time together: “Keri had established the habit of sharing supper with Mary in the downstairs den. They had even adopted the ritual of sharing an after-dinner cup of peppermint tea near the fire” (73). Mary volunteers to accompany Keri to Jenna’s dance performance, illustrating her role as Jenna’s “surrogate grandmother.” The growing bond is further revealed through Keri and Richard’s conversation. As Keri admits: “I feel like I've known her all my life” (55). Richard observes that Mary feels “like a grandmother” (55).
Mary is grateful for the family’s willingness to spend time with her and their inclusion of her in their daily rituals. For example, she is thrilled at Richard and Keri’s suggestion that they share one Christmas tree, which symbolizes their unity as an adopted family. In this way, The Importance of Familial Love emerges in the foreground, particularly as a salve to Mary’s loneliness.
These chapters explore Richard’s busy work life, which takes him away from his family. At this point, Richard is still focused on materialistic concerns. His heart is in the right place—he wants to ensure security for his family—but the novella shows, through Jenna’s frustration with his absence, that Richard’s priorities are misplaced:
“Dad, can you help me cut these?” [Jenna] asked.
“Not now, honey, I'm late for work.”
The corners of her mouth pulled downward in disappointment (69-70).
Richard’s narration reveals how he is speaking from a vantage point in the future and considering the events of the novel from hindsight. This allows the reader to learn that, in the future, he views his prioritization of work with regret: “I adroitly rationalized my absence from home on necessity and told myself that my family would someday welcome the sacrifice by feasting, with me, on the fruits of my labors” (59).
The later chapters will reveal that Mary has gained wisdom through the tragic loss of her own child. In these chapters, she notices Richard’s absences and seeks to draw his attention to his misaligned priorities. When Richard tries to continue working rather than read the story Mary has recommended to Jenna, Mary is uncharacteristically insistent: “‘No, right now. Read it to her now,’ she coaxed. Her voice was fervent” (74). Through the story, which parallels Richard and Jenna’s relationship, Mary seeks to show Richard the error in his ways: “The little girl came into her papa's study, as she always did Saturday morning before breakfast, and asked for a story. He tried to beg off that morning, for he was very busy” (75-76).
These chapters allude to the death of Andrea, Mary’s daughter. Keri reflects that there seems to be a secret tragedy in Mary’s life. She correctly intuits that Mary still grieves for the loss of her daughter, who died in infancy many decades earlier: “‘Mary is the warmest, most open individual I've ever met, except…’ She paused. ‘Do you ever get the feeling that she is hiding something?’ […] ‘Something tragic?’” (87). Keri further intuits that Mary is trying to tell Richard something. In this way, the novella alludes to the connection between Richard’s lack of focus on Jenna and Mary’s tragedy.
These chapters also introduce the angel which turns to stone, and which haunts Richard’s dream: “I look into its cherubic face, its eyes turn up toward heaven, and the angel turns to stone” (64). As soon as the dream ends, Richard is led by music to the Christmas Box, which contains Mary’s letters to Andrea. This establishes the connection of Andrea to the angel; the angel is sent to Richard so that he can learn about the fleeting nature of Jenna’s childhood, and come to realize the power and importance of parental love.
Letters in the Christmas Box, dated 1914, were written decades before the events of the story, which is set somewhere in the 1940s or 1950s. Later, the reader learns that Mary wrote the letters in the years immediately following the death of her daughter.
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