54 pages • 1 hour read
In Twain’s novel, Huck Finn sometimes finds it necessary to pretend to be something he is not. Ironically, the boy who deceives others meanwhile moves toward a degree of authenticity beyond that possessed by any of the book’s adults. Huck’s efforts in helping the runaway slave Jim are rewarded: Jim finally escapes those who seek to return him to servitude. Huck helps Jim achieve true freedom and develops his own authentic morality along the way. Twain’s book serves as the backdrop for The Day They Came to Arrest the Book, and there are clear parallels between both novels regarding the motifs of authenticity and pretense.
Hentoff develops several characters who reveal real integrity as the conflict deepens and the stakes escalate. Karen, the former librarian who quietly resigned to protect her potential career, comes forward to expose principal Mike. Maggie, the advisor who first talked Barney out of attacking Mike in an editorial, stands firmly by her student when Barney tells Mike that he will publish an article about his unethical behavior. Deirdre, thrust into the spotlight despite her dislike of conflict, grows resolute in her defense of the First Amendment while refusing to view her opponents as enemies.
Barney, in particular, must stand against several of his friends and classmates to uphold freedom of speech. Like Huck Finn, Barney—who hopes one day to become a writer—embodies fairness, honesty, and courage, all of which are the highest principles of journalism. His opponent, Principal Mike, embodies lies, pretense, and cowardice. When confronted with his long-term practice of circumventing the official procedures of the school constitution, Mike resorts to bullying Barney and Maggie, misrepresenting everything about Karen, and outright lying to the news media about his attempts to quash the story. Mike, who pretends to be friendly with his students, ethical in the official conduct of his office, even-handed in dealing with conflict, and honest in his dealings with the school board chairman, is none of those. Mike’s pretentious façade is emphasized on the last page of the book: “‘Well, it’s all behind us now.’ Mr. Moore smiled all around. ‘I’m sure there are no hard feelings’” (169). Since Mike is plotting to campaign with Huckleberry Finn opponents and pack the school board with likeminded supporters of censorship, his words are an obvious lie that show he does, in fact, have hard feelings.
Hentoff’s narrative naturally divides itself between two groups as the story progresses: those who wish to censor or ban Huckleberry Finn and those who want to keep the book universally available. Within these two groups, Hentoff portrays three other distinct categories of people. These groups represent the three groups that emerge in the face of any significant controversy. In illuminating these groups, Hentoff demonstrates what one can expect from others when caught up in the midst of divisive issues.
The first of these groups consists of rational or logical individuals. In Hentoff’s narrative, all the rational characters favor the availability of Huckleberry Finn and, by extension, the preservation of free speech. Deirdre, who cautions Nora against vilifying those who intend to ban Huckleberry Finn, fits in this category. Dickinson, Maggie, Steve, and Barney, all of whom express themselves truthfully and steadfastly while holding to their principles, are also in this group.
The second category can be called the persuasive or manipulative group. Among these are individuals who distort rational reasoning to set forward their ideals. They often resort to logical traps, misinformation, and threats to achieve their goals. This does not mean that members of this group are “wrong,” nor does it mean they must think irrationally—this category simply describes the behaviors of those in this group. Hentoff portrays those in this group as opposed to the use of Huckleberry Finn and thus in favor of censorship. Principal Mike is a clear example—he blatantly lies and manipulates others. Griswold makes use of logical fallacies to manipulate the audience during his debate with Dickinson instead of arguing his point based on facts and reason. Gordon McLean and his father also fall into this group; while their stance is understandable, they, like Griswold, use logical fallacies and threats to persuade others to join their cause.
The third category, the emotionally driven group, consists of individuals who have chosen a side in the debate based on emotion as opposed to reason. As the controversy heightens, their emotions intensify; in debates, they favor appeals to emotion over logic and fact. This group includes people on both sides of the censorship issue. Kate, her math teacher Cynthia Morgan, Mr. and Mrs. Dennis, and Nora fall within this category. While these individuals can express the ideals behind their decisions, their arguments tend to devolve into emotional outbursts that cloud the issues being discussed. They also tend to be less able to engage logically with those who hold oppositional views. Nora and Kate succumb to emotional outbursts when confronted about their positions; Nora accuses Griswold of being “an agent of the Soviet Union” (117), while Kate fiercely insists that schools have a duty to uphold morality, even at the expense of freedom and with no clear idea of which authority ought to hold such power.
This does not mean that rational, logical people will always be on the correct side of an issue, nor does it mean that members of the manipulative and emotionally driven groups are always wrong. Instead, these characters show that everyone involved in controversial issues falls within one of these three categories, regardless of their actual position on an issue.
Throughout the narrative, Hentoff portrays the George Mason library as a symbol of the heart of literature. As free access to literature is the heart of the story, the library symbolizes freedom of speech. It is in the library that Deirdre rejoices in her new position as librarian. In the library that Barney expresses his desire to write the books that he, his father, and Deirdre love. Passionate debates take place in the library: Kate challenges Deirdre on the appropriateness of Huckleberry Finn, and Nora and Deirdre debate whether supporters of censorship are now their enemies. The supporters of free speech gather in the library to examine the complaint against Huckleberry Finn, to discuss the makeup of the review committee, and to decide how to recruit supporters for the special school board meeting.
Hentoff portrays the library as an almost sacred place. The fact that Mike’s unethical behavior damages the library thus positions Mike as the undeniable antagonist of the story. Mike is responsible for sequestering books, disrupting the work and serenity of the librarian, and literally destroying the library’s most precious contents—books. Mike is never depicted as discussing the merits of any book—only whether or not he can calm the parents who are complaining about it. He shows no appreciation for or interest in literature of any kind. This characterization, within the context of the narrative, portrays Mike as irredeemable: He desecrates the embodiment of freedom itself without any appreciation for what is precious about it.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: