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C. S. Lewis uses the term “Model” to refer to the Medieval Model of the universe. This is an expansive term that covers the entire medieval cosmology, from the shape, size, and structure of the universe and the creatures that inhabit it, to the nature of the soul and the human temperament, and even the role of religion. This Model has its inconsistencies, and not all medieval people understood it in precisely the same way; even Lewis admits that he is generalizing. His main argument is that the Model is a “backcloth for the arts” (18), a comprehensive set of assumptions, beliefs, and preferences that informs virtually all aspects of medieval literature and many aspects of medieval life. Lewis stresses that anyone who wants to understand the literature of the medieval period must be intimately familiar with this model, because otherwise, one risks attempting to understand the medieval mind through an inappropriately modern lens.
Plenitude is one of the central tenets of the Medieval Model. It originates from Apuleius, though he took inspiration from Plato. The idea of Plenitude is that each realm of the universe must be occupied with its own lifeforms. The realm above the orbit of the moon, which most people would now understand to be the void of outer space, was thought to be the realm of the spheres, as described below. The surface of the Earth was the realm of humans, animals, and plants. In between these two realms was the aether, a vast airy space. In accordance with the principle of Plenitude, medieval people believed that the aether was home to “daemons,” or spirits that could be variously understood as lower-ranking angels, malevolent demons, or other spirit-like creatures.
The Medieval Model was primarily predicated on a Ptolemaic model of the universe. This was a geocentric model that placed Earth at the center of the universe, with a few planets, the sun, and the moon all orbiting it. The other stars were thought to be fixed in an outer, solid vault of the sky. According to this model, the universe was not a dark and infinite void. Instead, it was a finite space that was predominantly light and warm. The darkness of night was merely the moving shadow of the Earth. This view of the universe was carefully ordered. Because it assumed that Earth was at the center of the universe, the Ptolemaic model had to include epicycles, or little loops, in the orbits of each planet. These epicycles were among the few imperfect or rather clumsy elements of an otherwise highly regular conception of planetary movement in the universe.
Many things in the Medieval Model fit into tidy sets of three. This is of course true of the Christian trinity—the Father, the Son, and the Holy Spirit—but it is also true of many other subjects contemplated by medieval thinkers. Lewis notes that people in the Medieval Era divided the universe into three zones: Earth, the aether, and the translunary region. They also understood humans to have a threefold soul that consisted of Rational, Sensitive, and Vegetable elements. The medieval love of the Triad speaks to the theme of The Prevalence of Hierarchy and Order, which is prevalent throughout medieval literature. Although many people now associate the idea of a triad or trinity with Christianity, it is actually one of many medieval concepts that developed at least in part because of the influence of pre-Christian, classical civilizations.
C. S. Lewis writes often of the spheres, usually in reference to the planets and stars. In the Medieval Model, the spheres were not just lumps of mass orbiting each other in the vacuum of space. They were often conceptualized as being more or less rational agents that were created by God and now exist in a state of perfection close to God. The “music of the spheres” refers quite literally to musical tones that these heavenly bodies supposedly produced. According to the Model, the sphere and the circle were the most perfect shapes. Planets orbited the Earth not in obeisance to the laws of physics but because of their love of God. Their shapes and their orbits were a reflection of the perfection of God, and an attempt on the part of the spheres themselves to become as much like God as possible.
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