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The Family Romanov: Murder, Rebellion and the Fall of Imperial Russia

Nonfiction | Book | Middle Grade | Published in 2014

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Chapters 5-8Chapter Summaries & Analyses

Chapter 5 Summary: “Lenin, the Duma, and a Mystic Named Rasputin, 1905-1907”

On the same day that the October Manifesto is made law, protestors gather before the Moscow jail and demand political prisoners be released. They joyfully find that “the jail doors opened” (68). As the peaceful, celebratory crowds return to the city center, they are attacked by the Union of Russian People; one prisoner is killed and dozens injured. This Union, also called the Black Hundred, is dedicated to upholding the tsar’s power, and as such attacks anyone they view as a threat, including students, workers, and particularly Jews.

Tsar Nicholas himself supports the Black Hundred’s “rabid” anti-Jew campaign (69), and in just the two weeks following the October Manifesto, 694 pogroms take place across Russia. Acting on a long legacy of royal prejudice against Jews, Nicholas blames Jewish Russians for the political uprising and declares that “‘the Yids […] must be kept in their places’” (69). Here, the author inserts a direct report from journalist Vladimir Kishinev, who investigated a pogrom in 1903. Kishinev describes the Jewish people trying to escape a vicious mob by hiding in a particular house; most were unsuccessful, with one man “‘finished […] off with sticks and clubs’” (72), and three more with crowbars.

Fleming goes on to introduce the “true revolutionaries” of the early 1900s (74), a group of social democrats who speak out against the tsar, and in favor of Karl Marx’s communist ideals, from their place of exile in Switzerland. Among these writers is Vladimir Ulyanov, who writes under the name Lenin. Vladimir comes from an upper-class family, but after his brother leads an assassination attempt against Tsar Alexander III and is hanged, Vladimir becomes a revolutionary and is exiled to Siberia. Vladimir then travels through Europe, becoming well-known for his communist newspaper Spark, and “car[ing] for little but politics and power” (76). Insisting that the Russian revolution should be guided by “a few strong leaders,” rather than the workers themselves (76), Lenin becomes the head of the Bolsheviks by 1903.

Following the October Manifesto, Lenin returns to Russia to organize an uprising, while at the same time workers make their own revolution until “‘the whole of Moscow has become a battleground’” (78). Nicholas quashes the protests with his army, with citizens “systematically mowed down” (79) until the rebellion ends in December 1905, and Lenin quietly flees to Finland.

Even after the rebellion ends, the tsar remains busy, “earn[ing] a new nickname—Bloody Nicholas” (80), as he establishes violent Punitive Expeditions and secret courts to keep his subjects in line. He also retracts his promises from the October Manifesto, including the Duma’s right to veto laws, “effectively stripp[ing]” the new legislature of its power before it even gathers for the first time (81). When the Duma convenes in May 1906 and asks that all political prisoners be freed, Nicholas simply dissolves the legislature. The prime minister convinces Nicholas to allow the election of a second Duma, but when this group is “just as troublesome” (84), Nicholas abolishes it as well. The tsar changes the voting system so that only the wealthy can sit on the third Duma—“‘the Duma of the Lords, Priests, and Lackeys’” (85)—and allows this final legislature to remain until 1912.

In the midst of nationwide violence and upheaval, an important visitor arrives at the Russian palace in November 1905: Gregory Rasputin, a starets or “holy man,” with “a reputation as a healer and a prophet” (85). With eyes that, according to one palace ambassador, “‘seemed to radiate magnetism’” (86), Rasputin quickly works his way into the tsar’s inner circle. When young Alexei is particularly ill, Rasputin prays for him, and the next day he seems miraculously well. Empress Alexandra is sure she has found the man “Dr.” Philippe prophesied years before: the healer “who will speak to [her] of God” (87), and who will hopefully cure her ailing son.

Chapter 6 Summary: “‘Pig and Filth’ and Family Fun,” 1908-1911

Chapter 6 begins in fall 1908, when Sydney Gibbes arrives at the Royal Palace to tutor the three eldest grand duchesses in English. Gibbes has been told that the royal children “‘generally behaved like young savages’” (88), and he discovers that the girls are not receiving much of an education at all. Fleming explains that according to many members of the tsar’s court, the children’s “‘intellectual development was very bad’” (89), as the empress was not overly concerned with their education.

Trouble beings for Gibbes and fellow tutors such as French instructor Pierre Gilliard’s when the youngest grand duchess, Anastasia, starts receiving lessons at 8 years old. Anastasia is, according to a friend of the Romanovs, “‘a true genius in naughtiness’” (91); she threatens to spill ink all over her tutor’s shirt, and then bribes him with flowers to increase her grades. Anastasia despises school; in a letter to a friend, she describes a math problem as “‘pig and filth’” (92).

Meanwhile Alexei, still too young for school, is also “full of mischief” (93), despite his illness. He plays jokes, such as stealing a guest’s slipper and hiding a strawberry inside it, and because he is his parents’ cherished “‘Sunbeam’” (93), he is rarely punished. Still, Alexei is tortured by the fact he can’t play outside like other boys; “‘Why can other boys have everything and I nothing?’” he laments (94).

The entire Romanov family shares a love of photography, and as the children grow older, they spend many evenings filling photo albums. Every summer, the family travels south by imperial train on “the royal progress” (97), although the empress has become increasingly “sickly” (98) and often shuts herself away from her children. The chapter ends with the girls hoping their “‘darling Mama’” (99) will soon recover and join her family again.

In the middle of this chapter, Fleming includes a letter to a newspaper from a young shop girl, Aizenshtein, published in 1908. Describing the common plights of shop workers in St. Petersburg, Aizenshtein presents a strong contrast to the grand duchesses’ lives of luxury and ease. As Aizenshtein says, these teenage girls work thirteen- to fifteen-hour days for low wages, and are paid so infrequently they must “‘go to the boss each day and beg him for enough money for food’” (97).

Chapter 7 Summary: “Gathering Clouds, 1911-1912”

By 1911, despite his “‘coarse’” peasant mannerisms and appearance, Rasputin has become “all the rage” in St. Petersburg (100). Wealthy women flock to his apartment, drawn to the promise of “something new and exciting” (100), even though Rasputin insults the women, grabbing and kissing them. Eventually, rumors spread and Rasputin becomes known as a “lecherous imposter” (101). While the nobles now spurn him, the tsar and tsarista maintain their faith in Rasputin, who stays “on his best behavior” around the royal family (101).

Prime Minister Peter Stolypin, doubting Rasputin’s motives, orders a full investigation. While the resulting report is “lost to history” (102), it may have claimed Rasputin molested women. Whatever the report’s contents, Nicholas “refuse[s] to believe it” (102) and forces Stolypin to meet with Rasputin. During the meeting, Rasputin appears to set some kind of “spell” on the minister: as Stolypin later reports, the starets “‘mumbled mysterious and inarticulate words from the Scriptures […] and made strange movements with his hands’” (103). When Nicholas still refuses to deal with the holy man, Stolypin acts without his monarch’s permission to exile Rasputin from St. Petersburg. Empress Alexandra is distraught, so Nicholas attempts to diffuse the situation by funding Rasputin’s journey to the Holy Land.

In September of 1911, the royal family and ministers, Stolypin among them, travel to Kiev for the dedication of a statue to the tsar’s grandfather. Rasputin goes to Kiev as well, trailing the royals without an invitation, and proclaims that “‘death is after’” Stolypin (104). Nicholas and his two eldest daughters attend an opera in the tsar’s honor, and a young man pulls out a gun and fires, killing Stolypin, who is sitting in the front row. The murderer, Dmitri Bogrov, is executed without any investigation of his crime, but Alexandra is sure of why Stolypin dies: “‘Those who offend Our Friend’”—Rasputin—“‘may no longer count on divine protection,’” she says (106). A few weeks later, Olga attends her first ball held for her sixteenth birthday, a lovely moment in a world, Fleming says, that’s “growing increasingly dark” (107).

In late 1911, copies of letters from the Romanovs to Rasputin make their way around St. Petersburg; Rasputin himself has given them away while boasting of his imperial connections. Empress Alexandra has written “‘I kiss you warmly’” (108), leading the public to believe the tsaritsa is having an affair with the starets, though in fact the empress uses such “gushing” language with everyone (108). Now furious with Rasputin, the empress refuses to see him, and he returns to his Siberian home.

In August 1912, while the royal family is vacationing in Poland, the empress—against her better judgment—lets Alexei go rowing and he hits an oarlock with his upper thigh. He recovers, but two weeks later, Alexei suddenly becomes “‘almost unconscious with pain’” (110), and Dr. Botkin discovers blood has been seeping into his leg and abdomen since the accident. The doctor can do nothing, and Alexandra is sure her son is dying. After eleven days, she sends a desperate telegram to Rasputin, who replies that “‘the Little One will not die’” (112). Twenty-four hours later, Alexei’s bleeding miraculously stops, and the empress is sure Rasputin has divinely intervened. Rasputin, cementing his power over the royals, pronounces that the tsarevitch “‘will live only as long as I am alive’” (112).

Chapter 8 Summary: “Three Centuries of Romanovs, 1913”

By 1913, the grand duchesses are teenagers, aside from 12-year-old, “short and chubby” Anastasia (123), but members of the court lament all four girls’ “emotional immaturity” (123), as their mother keeps them isolated from the outside world. At the same time, 1913 marks the 300th anniversary of Romanov rule, and the royals plan an “extravagant” celebration in St. Petersburg (115), in order to improve the tsar’s public image.

The anniversary begins with a service at the Cathedral of Our Lady of Kazan, but Rasputin takes a seat meant for Duma members, and a vicious fight breaks out between the Rasputin and Duma president Michael Rodzianko. Once Rasputin leaves, young Alexei—whose hemophilia is still kept secret—is carried in, sparking new concern among the onlookers. What’s more, the tsar and tsaritsa appear strikingly nervous; the tsar clearly “no longer [feels] safe even among his most loyal subjects” (118).

After the celebration, tutors Pierre Gilliard, who is aware of Alexei’s illness, and Sydney Gibbes, who isn’t, begin tutoring 8-year-old Alexei. The tsarevitch proves as difficult a student as his sisters, having, as Gilliard says, a “‘mute hostility’” (119) and even attempting to cut his teacher’s hair. At the same time, Gilliard notes that because of Alexei’s own suffering, he is “‘sensitive to the suffering in others’” (120).

The chapter ends with a description of “a different kind of education” (120) for a working-class boy in St. Petersburg: 8-year-old Nicholas Griaznov’s ordeal as a shop owner’s apprentice. Instead of teaching the boy, the shop owner views him and other apprentices as “cheap labor” (120), and overworks and even abuses them. Nicholas’s father writes a letter to the newspaper New Russia, complaining that the shop owner refuses to give his son back until the apprenticeship ends, due to the “‘expense’” (121) already taken in “‘training the boy’” (121), and that the owner believes he has the right to beat the boy. The shop owner, Kasatskin, responds in another letter to the paper, saying the Russian economy leaves him no choice but to participate in “‘this system of buying and selling children’” (122), and that the newspaper should attack the system, rather than the shop owners themselves. 

Chapters 5-8 Analysis

In Chapter 5, Fleming introduces Lenin, a writer and revolutionary who will play a huge role in Russia’s transition to a communist society. Lenin only briefly visits Russia during this early portion of the book, and he doesn’t take an active role in the protests of 1905. However, from his political exile in Switzerland and then Finland, Lenin cements his leadership of the Bolsheviks, who believe that a few “strong” individuals (76)—such as Lenin himself—should guide the country through a revolution before returning all power to the people.

Meanwhile, as Russian citizens continue to struggle for a voice, Tsar Nicholas reneges on the promises of the October Manifesto and becomes an even more oppressive ruler. Even before the Duma meets, Nicholas takes back his pledge to allow the legislature to veto his laws, and he dissolves one Duma after another when the group tries to bring about real change. Clearly, Nicholas’s apparent willingness to grant a voice to the people is merely an empty promise. In reality, the tsar turns a blind eye to his people and their suffering, a character trait that will cause increasing damage to Russia.

While refusing to listen to his subjects, Nicholas also “crack[s] down” (79) with ever-increasing violence, becoming known as “Bloody Nicholas” and forever destroying the image of Russia’s tsar as a benevolent, fatherly ruler. Nicholas’s new policies mean he no longer controls his subjects through their loyalty, but only through fear—a shift that will breed increasing animosity, and eventually lead to more violence and revolution.

These chapters of The Family Romanov also introduce Rasputin, a supposed holy man, or starets, who will develop a huge influence over the tsar and tsaritsa, and by extension over all of Russia. Significantly, Rasputin is marked by his almost eerily powerful “‘magnetism’” (86), which he uses to ensnare the royal family. When Rasputin repeatedly appears to heal Alexei—perhaps through luck, perhaps by casting a “sort of hypnotic spell” to calm the boy (87)—Alexandra comes to believe Rasputin speaks “with God’s voice” (112).

Fleming reveals Rasputin’s other side as well: he is a drunk, a lech, and most Russians come to believe he is a fraud. Nonetheless, Rasputin always manages to hide his bad behavior from the Romanovs. The one time he angers Alexandra, he soon regains her trust by apparently healing Alexei once more. Thus, the empress is quick to believe Rasputin’s assertion that Alexei “‘will live only as long as I am alive’” (112), and Rasputin’s hold over the empress hints at the damage he will cause as the book continues.

These chapters also describe the Romanov children’s daily lives and their developing personalities, and contrast the royals’ experience with that of working-class Russian youth. The grand duchesses and Alexei lead an idyllic childhood, with plenty of time to play outside their country palace, summers spent traveling by imperial train, and a far-from-stringent education with private tutors. Anastasia and Alexei in particular are mischievous children and cause their tutors plenty of trouble. Yet within a life that seems close to paradise, there is a hint of tragedy, particularly for the often-ill Alexei. At one point, Alexei is in such agony that he asks, “‘When I am dead it will not hurt anymore, will it, Mama?’” (111). Even the grand duchesses, though physically healthy, are so sheltered and isolated by their mother that they are never truly allowed to grow up.

Fleming intersperses her descriptions of the Romanov children with accounts of working youth who suffer the opposite fate: they are forced to grow up too fast. Robbed of a childhood by poverty and dismal, unregulated working conditions, teenage shop girl Aizenshtein and 8-year-old shop apprentice Nicholas lead a very different sort of existence from the young Romanovs. Emphasizing these children’s long work hours, their hunger and exhaustion, and abuse from their employers, Fleming again illustrates the huge gap between rich and poor in turn-of-the-century Russia. 

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