60 pages • 2 hours read
Stefania’s story emphasizes the importance of determination and courage. Without bravery and willpower, Stefania and the Jews arguably don’t survive. To endure the heinous conditions and life-or-death threats, the characters require pluck and valor.
Before World War II breaks out, and the mass murder starts, Stefania displays determination and courage. As a young teen, she moves from the country to the big city and holds down a job. Once the Nazis take over, Stefania’s courage and determination reach heroic heights. She bravely sneaks into the ghetto to give the Diamants food and essential items. She courageously hides them and figures out how to keep them alive when the two German nurses move in. The German nurses represent one of many unexpected difficulties. Stefania also has to deal with an array of predatory men, a ruthless boss, the trauma of losing Izio, and the ever present worry that Nazis might discover her situation and kill her, Helena, and the 13 concealed Jews. After the person beats Helena, Stefania cries. She admits, “I have never, ever wanted so much to give up” (334). Yet Stefania stays determined. She persists against nearly nonstop hardship and keeps herself, her sister, and the Jews alive. As the war ends, Stefania realizes, “I might win this game I’ve been playing against hate” (371). Through courage and determination, Stefania triumphs over the genocidal Nazis.
The Jews, too, display courage and determination. Max boldly leaps from the train and returns to Stefania’s house. His determination to survive compels him to dig the bunker and build the fake hiding place in the attic. Schillinger shows bravery by pretending to be Stefania’s boss in front of the police. Dziusia displays courage and willpower when she crosses the bridge guarded by SS men. By not going along with the Nazi commands, the 13 Jews courageously resist the genocidal program. About Max, Stefania says, “He chose life” (178). The sentiment arguably applies to all the Jews under Stefania’s care. Their brave determination helps them subvert their deadly fate.
Stefania’s interaction with the Jewish policeman in the ghetto complicates the theme of determination and bravery. Stefania suggests the Jewish policemen are cowards and lack the will to fight the Nazis. Instead, they help the Nazis. Stefania says, “The Nazis are killing the innocent! Your own people! And in the meantime, you keep ‘order’ so those monsters can have a whole ghetto of victims who are easier to kill” (195). One Jewish policeman replies, “We do try to save them. By giving the wrong lists, delaying the deportations. Limiting the reprisals caused by people like yourself, so that someone, somewhere, might be saved” (197). The response suggests there are other less overt kinds of bravery and resolve. The courage and willpower of the Jewish police might manifest subtly, but it’s there: They, too, do what they can to keep Jews alive.
The theme of bravery and determination connects to sacrifice. A big part of what makes Stefania and the other characters resolute and courageous is their willingness to sacrifice their well-being.
Before Mrs. Diamant leaves for the ghetto, she tells Stefania, “Remember, you are Catholic. They will not touch a Catholic” (43). Compared to others, Stefania has privilege, but she’s not content to save herself: She wants to save others. To help the Jews, she sacrifices her well-being and risks her life. The possibly fatal sacrifices make Mrs. Diamant uneasy. When she sneaks into the ghetto, Mrs. Diamant scolds her, “They will kill you. And they will like killing you. Do not give them the chance” (74). Yet sacrifice remains essential. Stefania asks herself, “If I live through this war, can I live with having done nothing, or will my life be poisoned with regret?” (166).
The answer is no, but what Stefania has to do requires almost nonstop sacrifice. She has to work long shifts, evade surveillance, look out for her little sister, confront predatory men, and care for 13 concealed Jews. The self-abnegation wracks Stefania, and she uses humor to deal with it, quipping, “Maybe I won’t mind. Never having a life” (221). The Jews and survival consume Stefania’s life. Her sacrifice pays off, and she, her little sisters, and the 13 Jews survive.
Helena, too, sacrifices. Although Stefania tries to limit her exposure, Helena risks her well-being by assisting her big sister. She puts herself in danger when she kicks Max the ball and shields Stefania from the person at the door when they want to deport her to Berlin. In both these moments, Helena endures assault for someone else’s sake.
Whether or not a character aligns with the theme of sacrifice often indicates their level of goodness or badness. The German nurses don’t want to sacrifice much of anything—they’re not very good. Emilika sacrifices a little for Stefania. She could get into trouble for helping her forge travel papers and giving her the picture of the SS men, yet Emilika doesn’t appear ready to sacrifice herself for Jews. A reader could claim that Berdecki sacrifices himself for Stefania. Someone could see him letting her get away, and he could get in trouble for not bringing her to the Gestapo.
The members of the ghetto Jewish police also complicate the theme of sacrifice. Stefania implicitly accuses them of not sacrificing. They disagree. One Jewish policeman tells her, “Do you think I like my position, Miss Podgórska? I wonder what kind of choices you think I have. Perhaps you think I chose to be here? That the SS can’t walk into my house and shoot my family whenever they please.”
The Jewish police arguably put their reputations and families on the line for the dreadful task of trying to moderate a vicious genocide.
Early in the story, Mrs. Diamant tells Stefania, “Sadness can become cruelty” (38). Later, after the Nazis presumably kill Mrs. Diamant, Stefania remembers the phrase. When considering hiding Malwina and her kids, Stefania whispers to herself, “Sadness can become cruelty” (244). Stefania opts to hide Malwina, her kids, and 10 other Jews. She doesn’t let despair turn her cruel. Instead, she chooses kindness.
The story repeatedly pits kindness against cruelty. However, the theme isn’t black and white because there are multiple levels of kindness and cruelty. There’s the murderous cruelty of the Nazis, and there’s the cruelty of Markus Berdecki. He doesn’t murder anyone, but he misleads Stefania about the nature of his secret. As many of the men are antagonists, the men often come across as more cruel than kind. While Lubek helps Stefania at work, he becomes cruel when he spots the picture of the SS men. Mr. Zielinski cruelly beats Helena, and the Nazi doctor cruelly subjects Stefania to a painful, mysterious medical experiment. The doctor who treats Helena after her fall, Dr. Becker, is kind, and so is the policeman who carries Stefania and Helena’s bags in the snow.
Women characters can be cruel. Karin and Ilse behave violently and selfishly, and Edith shouldn’t have put Stefania in a position where a doctor might experiment on her. Some of the Jews can be cruel. Hirsch arguably precipitates Malwina’s “breakdown” by manipulating her into marrying him.
However, the cruelest characters are the Nazis. They dehumanize and murder the Jews and anyone who helps them. After witnessing some of their brutal violence in the ghetto, Stefania says, “This is what evil looks like” (106). The Nazis create a hellish atmosphere where cruelty reigns. They reward people for telling on Jews. A person can make money by giving them information that leads to hidden Jews. The Nazis sow mistrust and death. Emilika says:
The secret police are everywhere. You know that, don’t you? Pretending to be beggars, shopkeepers, workers, or anyone. They offer help to Jews, or to help someone else help Jews, and when that person says yes, they arrest them and the Jews they were trying to help. You can’t trust anyone (161).
Stefania overcomes the lethal, conspiratorial environment. She trusts her sister, Max, and the other Jews and doesn’t give in to cruelty. Through courage, determination, and sacrifice, Stefania sticks to kindness. She hides as many Jews as she can—even Dorlich—and her kindness saves lives.
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