59 pages • 1 hour read
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Quentin wakes up in a monastery run by centaurs. He’s been brought here by Eliot and the others to help him recover. The centaurs tell Quentin that his friends had stayed as long as they could, but after a month or two, they stopped believing “that [Quentin] would ever wake up” (372), and decided to leave. That was around four months ago. Quentin has, in fact, “been asleep for six months and two days” (370), one of the centaurs tells him.
As Quentin fully awakens, he can’t help but think of Alice. The guilt and grief for her overwhelm him and they unfold:
new dimensions he hadn’t known were there. He felt like he’d only seen and loved her, really loved her, all of her, for those last few hours. Now she was gone, broken by the glass animal she’d made that first day they’d met, and the rest of his life lay in front of him like a barren, meaningless postscript (373- 34).
Quentin’s hair has turned white, and the centaurs have healed his collarbone, right shoulder, and knee using “a smooth, highly polished fruit wood” (374). They have done a nice job, Quentin thinks, even ensuring that he has a full range of flexibility in his shoulder and knee.
Quentin rummages through a dresser drawer and finds two envelopes. One contains a letter that Eliot has left for him. In the letter, Eliot briefly explains how they had to leave him, and that he considers Quentin as close as family. The second envelope contains the notebook Quentin lost early in the novel, “The Magicians.” Quentin notices the difference in the style of writing and concludes it was not written by Christopher Plover, but by Jane Chatwin. The notebook continues where Plover left off, and details Jane’s efforts to get back to Fillory and her subsequent discovery of “Martin’s transformation” (377) into the Beast. The notebook also mentions that Jane was given a “pocket watch” (377) that can “control the flow of time” (377). The story ends there.
As Quentin finishes reading, he hears a voice. It is the voice of the paramedic, though Quentin now knows that the paramedic is Jane Chatwin, and that she is also the Watcherwoman. Quentin becomes angry with Jane and wants her to use the watch to go back in time and change everything back to the way it was. Jane explains that she can’t, that she has tried over and over, and that she has failed every time. Jane then leaves, but not before smashing the pocket watch into pieces. Quentin sees a white stag and is told that it is the Questing Beast. He suddenly understands what he has to do.
Quentin leaves the monastery in search of the Questing Beast, journeying far and wide to find it. The hunt takes him across lands he has never seen or heard of in the Fillory books. Quentin pays a crew to ferry him across a western sea, until he arrives “five weeks” (387) later on “an unknown continent” (387). After disembarking, Quentin catches up to the Questing Beast “on the third night” (388) and shoots the stag with an arrow. The Questing Beast then tells Quentin he has three wishes.
With his first wish, Quentin asks the Questing Beast to restore Penny’s hands. The Questing Beast tells Quentin he can’t because he can’t find Penny. Quentin then asks that Alice be brought back. The Questing Beast informs Quentin that he can’t because there are rules he has to abide by. The Questing Beast decides to count Quentin’s failed wishes as one wish. With his two remaining wishes, Quentin then asks that his crew be paid off at twice as much as he offered them, and for his final wish asks the Questing Beast to send him back to New York. Both of these wishes are granted.
Once back in New York, Quentin decides to spend time getting a feel for the real world again. He finds a “dark, empty basement bar in Chinatown where he used to go with the Physical Kids” (390), and orders a drink. There, Quentin runs into Anais, and she brings him up to speed on some of the others. She tells of how the centaurs couldn’t restore Penny’s hands and that Penny chose to stay in the Neitherlands, entering a building containing countless books. She describes how Richard came to help them, and how they carried Quentin to the monastery. After Anais leaves, Quentin pulls out a key Professor Fogg once gave him and uses it to return to Brakebills.
Quentin is now working in New York for Plaxco, as a “junior member of the […] account team” (393). Professor Fogg has helped to place him there. Quentin has left the world of magic behind him, and spends most of his free time participating in “meaningless entertainments and distractions” (395). His work is not taxing, and involves little more than attending the odd meeting and shuffling files.
In one particular meeting, however, he encounters Emily Greenstreet. She asks that they meet for lunch, and Quentin reluctantly agrees. Over lunch, they a drink a lot and talk about how they are coping. Emily asks Quentin if he misses magic, and he tells her that he never thinks about it anymore. She misses magic, she tells Quentin, but doesn’t regret leaving Brakebills. Lunch turns into an afternoon of drinking, and Quentin tells her all that happened to him and to Alice. Emily then asks Quentin to have dinner with her in her apartment. Quentin is tempted but decides he’s not ready and departs.
A month passes and the cold of November settles upon New York. Quentin is staring out his office window, seemingly reconciled to the “hypnotic” (400) meaninglessness of his life. Then, all of a sudden, “the tinted floor-to-ceiling window […] of Quentin’s office shattered and burst inward” (400). Outside the window, Quentin sees three people “floating in midair […] thirty stories up” (400). He instantly recognizes Eliot and Janet, and, eventually, Julia. They want him to stop hiding and to join them back in Fillory, as one of the kings. Quentin immediately thinks of Alice and that returning to Fillory will only make things worse. He looks around his office and then examines “the blue stone ball” (402) they had used to break his window. Seconds later, “loosening his tie with one hand, Quentin stepped out into the cold clear winter air and flew” (402).
The final chapters represent Quentin’s retreat from the magic of Fillory and back into the mundane dreariness that he perceives as the real world. He is broken, both physically and emotionally. His dreams have been shattered and he lives only for the sake of living and nothing else. Quentin doesn’t understand that his happiness and his belief in a better world have always depended on how he is prepared to see the world and to adapt to the constant changes that impact one’s life. Quentin regrets his lost childhood and his lost years at Brakebills, and feels guilty about Alice’s death and the death of Amanda Orloff.
Mired in the belief that the world is uncaring, banal, and dangerous, Quentin is quick to turn to alcohol and other modes of escapism to block out the emptiness that weighs him down. He’s also quick to blame others, such as Jane Chatwin, for how his life has turned out. In fact, when she shows up at the monastery, he desperately tries to convince her to use the pocket watch’s ability to go back in time and undo everything. The pocket watch is a symbol for how time must move forward and how time is dynamic through its capacity to shape lives.
In the end, hope is not lost. The Questing Beast functions as a symbol of hope, even if it doesn’t live up to Quentin’s expectations. It suggests that hope is always lurking near, perhaps around the corner, or on a chance encounter. Even in the most mundane of lives, hope and the chance at a better life are always a possibility. This is why Quentin’s story does not end with him drowning in alcohol and a meaningless existence, but instead opens the door to another adventure and another chance to discover who he is and who he wants to be in whatever world he finds himself living in.
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