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Summary
Background
Chapter Summaries & Analyses
Key Figures
Themes
Index of Terms
Important Quotes
Essay Topics
Tools
Next, Beauvoir analyzes women in adulthood, beginning with marriage. Women must marry or they will be considered a “social waste” (441). For men, they can choose to be celibate, be sexually active and not marry, or marry at a later age. When women do marry, the wife is only a “mouthpiece” (443) for the husband in his relations with the community. A woman’s social life is mostly if not entirely subordinate to the life of her husband. The benefit of marriage for the woman is that it protects her from being exploited by men. Even so, marriage limits women’s sexual freedom. Because of the double standard over adultery, marriage does not limit men’s sexual freedom in the same way.
Building on the idea that a woman’s first sexual experience is often traumatic, Beauvoir argues that the wedding night is often difficult for the bride. This is because the man sexually rejects her, is clumsy during sex, or causes her pain. Beauvoir notes, “Many women, indeed, become mothers and grandmothers without ever having experienced pleasure or even arousal…” (462). The ideal situation is if both partners express complete consent. Because women are often pressured in some way into marriage, this usually does not apply to marriage.
Critically, Beauvoir believes that marriages based on love do not fare much better than marriages based on economic or social motives. Love, especially love reflecting the idealized fantasies of youth, is “not meant to resist the tests of daily life nor to last for a long time” (466). Part of the challenge is that men are allowed a life outside the home. On the other hand, many women are largely restricted to the home and must find meaning in housework and household management. She is “dependent on her husband and children; she justifies her existence through them: she is no more than an inessential mediation in their lives” (484).
Although in Beauvoir’s time it is increasingly common for women to take jobs outside the home, Beauvoir adds that such women’s income is considered merely supplemental to the household budget. This situation renders wives either completely passive or aggressively prideful. Beauvoir adds that there are marriages that are happier than others. However, she asserts that it is not a matter of the individual partners in a marriage; the institution of marriage itself is “perverted at its base” (521).
Like marriage itself, motherhood is difficult to escape. As Beauvoir notes, abortion is still illegal in France and many other countries. Such laws are widely supported by men and the bourgeoisie. This does not stop men from occasionally demanding that their female wives or lovers get abortions. When this happens, Beauvoir writes, “giving birth is no longer a sacred function: this proliferation becomes contingent and inopportune, and it is again one of femininity’s defects” (532). Here, Beauvoir sees hypocrisy in how women are denied access to abortion and contraception, yet when they become pregnant, men blame them. This is especially seen in how a woman giving birth outside of a marriage is strongly stigmatized.
The stress of the marriage and the woman’s relationship with her husband shapes how she is as a mother. Beauvoir even claims such pressures can cause miscarriages and what doctors today would describe as post-partum depression. After the child is born, women can either become authoritarian mothers and wives or become utterly dedicated to their children. Either way, Beauvoir argues that mothers tend to prefer boys because of the “prestige” (560) society grants to males.
As with marriage, Beauvoir views the problem as stemming from women’s lack of options. She writes, “The relation of parents to children, like that of spouses, must be freely chosen” (566). Women must fully and unconditionally want to have children. Instead, in Western communities, women must depend on their husbands and children and seek validation from society through their marriages and children.
One escape for women is to display their wealth and social status by dressing up and going out in public. Beauvoir describes this as something that “concretizes female narcissism” (571). Even here, however, women do not just do this for their own sense of self; they do it for men as well. However, there are tensions here, too. Women must make themselves look attractive in public. If they do too much, though, they will draw negative attention and gossip.
Married women also try to assert themselves through entertaining at home and forming close female friendships. Such networks of friendships create a “kind of counter-universe whose values outweigh male values” (584). Beauvoir also discusses when married women take male lovers. However, even these extreme cases are, in Beauvoir’s mind, futile since they do not challenge the restraints and boundaries of marriage itself: “In any case, adultery, friendships, and social life are but diversions within married life; they can help its constraints to be endured, but they do not break them” (598).
One group of women who exist outside of marriage are sex workers engaged in traditional sex work and the women Beauvoir calls hetaerae (courtesans). She uses the term to “designate women who use not only their bodies but also their entire person as exploitable capital” (599). However, she notes that sex workers are not in any sense free. They have historically been a “scapegoat” for societies. Further, Beauvoir argues that “the prostitute does not have the rights of a person; she is the sum of all types of feminine slavery at once” (600). In the case of street sex workers, Beauvoir notes that they often start off as domestic servants who are abused or exploited in some way. They and other women become sex workers as a temporary solution to a bad economic situation, but it becomes permanent.
Beauvoir strongly argues against the dominant stereotype that sex workers are morally conflicted in some way: “It is their material condition that is deplorable for the most part” (610). While sex workers are free from the authority of a husband, they still “have the most urgent need of men” (614). Although their economic situation is better than street sex workers, hetaerae depend on their lover in much the same way wives depend on their husbands. Also like wives, hetaerae want to be “regarded according to bourgeois standards” (615). Further, like other women, they seek “subjective success” (618) to develop and validate themselves in the eyes of society.
Beauvoir argues that, in old age, women are again negatively impacted by their reproductive biology. Men get to grow old gradually. As for women, their transitions into adulthood and then old age are marked by sudden biological changes like puberty and menopause. Further, given that women rely on their physical appearance more than men, aging is often more difficult for them. Women are forced to resort to the imaginary, to younger male lovers, or to religion.
Eventually, an older woman “agrees to become old” (626). By doing so, Beauvoir writes, “she finally discovers her freedom” (627). However, by then, “she can do nothing more with it” (627). As for their families, elderly women pin their hopes on their sons or attempt to relive their lives through their daughters. This kind of mindset leads women to resent or develop ambivalent feelings toward their daughters-in-law and even their own grandchildren.
If an older woman does not have children, she seeks out surrogates. Overall, older women, freed from the drudgery of raising children and doing housework, must take on hobbies like knitting and embroidery. Here, Beauvoir criticizes older women, especially women from the United States, for adapting projects that have no definitive end goal. For example, American women read “books […] only intended to please, and worse to please idle women who need escape” (635). Otherwise, women organize activist coalitions against social ills like sex work, alcohol, and pornography. However, Beauvoir points out that “they do not understand that a purely negative effort is doomed to be unsuccessful…” (636).
Instead, Beauvoir urges older women to organize efforts that would benefit women as a collective. Most importantly, these campaigns should have definitive and positive objectives. One example is the campaign at the turn of the 20th century toward giving women the right to vote.
Despite their close friendships and activist organizations, Beauvoir argues that women have never been closed off from the broader male-dominated society. Even though people traditionally speak of feminine and masculine worlds, Beauvoir writes, “women have never formed an autonomous and closed society; they are integrated into the group governed by males…” (638). While women have attempted to form what Beauvoir describes as a feminine “counter-universe,” it is still framed within the “masculine universe” (638).
Women themselves uphold and defend the “masculine world” (640) and have been conditioned to accept their helplessness. Beauvoir cites the example of the remains of women found in the Roman ruins of Pompeii, where many of the remains show women praying while the remains of the men suggest they tried to escape. For Beauvoir, this suggests women “know they are powerless against things: volcanoes, policemen, employers, or men” (642).
One impact of this thorough indoctrination into subordination to masculinity is that women fulfill the negative stereotypes of them. Beauvoir claims if women are more inclined to be sensual to men, it is because the world often leaves women nothing better to do: “She often seems lazy, indolent; but the occupations that are offered her are as useless as the pure flowing of time; if she is talkative or a scribbler, it is to while away her time: she substitutes words for impossible acts” (644). Thus, in Beauvoir’s view, the treatment of women creates a feedback loop, where women are pushed to adopt negative, stereotyped behaviors to navigate a male-dominated society.
There are few ways for women to escape this situation, according to Beauvoir. Suicide is rarer for women than men. Women sometimes resort to physical violence, but generally they engage in what Beauvoir describes as “symbolic outbursts” (648). Usually, however, resistance emerges in the form of the “famous ‘contrariness’ for which she is often criticized…she refuses to play the game because she knows the dice are loaded” (650-51). Otherwise, women turn to religion or culture and art.
However, Beauvoir argues that generally women respond to their situation by making themselves the Other. It is difficult for women to resist men because their own attitudes toward men is complicated, with men being both the brutal tyrant and innocent child. To escape this cycle, Beauvoir returns to the idea of collective action, which must have concrete objectives. She adds that such activism must focus on improving and expanding economic and professional opportunities for women.
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