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52 pages 1 hour read

Things You Save in a Fire

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Cassie Hanwell

Cassie Hanwell is the protagonist and narrator of Things You Save in a Fire. She narrates the story years after the events of the novel have taken place, and many of her direct addresses to the audience show that she understands these events differently in hindsight than she did as they were happening. Cassie is a dedicated and well-trained firefighter and paramedic whose natural ability to remain calm in crisis gives her an advantage among other firefighters. Cassie is like many of Center’s heroines in that her job, considered a traditionally “masculine” one, is made more difficult by the sheer fact that she is a woman. She experiences sexism from the other firefighters on her team, yet even when one co-worker’s misogyny becomes violent, she is never deterred from proving herself to be an exceptional firefighter. On occasion, Cassie even uses this prejudice to motivate herself to be better than all those around her, a quest helped by her considerable experience and determination.

Despite her bravery and hard work, Cassie struggles with many issues from her traumatic past. Her 16th birthday was marked by two traumatic events: The man she had a crush on sexually assaulted her, and her mother abandoned her and her father. At 26, Cassie has learned to deal with the trauma of her past by blocking out her emotions, and she refuses to do anything that might make her emotionally vulnerable, particularly falling in love. When her sick mother asks Cassie to live with her, Cassie must learn to forgive her mother as well as herself, letting go of the anger that has undermined her life for the past 10 years. Forgiveness drives Cassie’s character arc throughout the novel, as she draws on her courage and compassion to focus on what really matters to her: love. Her blossoming love for Owen throughout the story helps Cassie understand what is important in life and how love can make her stronger to deal with all her other hardships.

Another of Cassie’s struggles in Things You Save in a Fire is recognizing that there is more than one form of courage. Though her job entails facing extraordinary dangers nearly every day, she is too afraid for most of the novel to tell the story of her trauma, fearing that it will bring forth the emotions she has tried to hide from for 10 years. She also recognizes the likelihood that no one will believe her story, as she knows “for certain that our world has an empathy problem with women” (492). Her fears are justified as she is ignored time and again by other characters in her story. In this respect, Cassie’s attempts to be heard are similar to those of Cassandra of Troy, a notable figure from Greek mythology who can predict the future but is cursed to never be believed. In Center’s short story, “The Girl in the Plane,” one character tells Cassie the story of Cassandra and asks if she was named for the mythic character. Like Cassandra, Cassie often predicts what is going to happen at her department—from knowing they will need a cyanide antidote kit to recognizing that one of her co-workers is no longer capable of doing the work required of a firefighter—but she is frequently dismissed by everyone but Owen. Cassie finally gains the courage to tell her story, knowing that her audience may not believe her but doing it anyway for her own sake. With this act, Cassie can finally forgive herself for abandoning the girl she was at 16. Having let go of her anger, she is able to move on with her life and focus on the family that makes her happy.

Owen Callaghan/The Rookie

Owen Callaghan—who is called “the rookie” by everyone throughout the novel, even after Cassie learns his name—joins the station two c-shift the same day Cassie does. The rookie is fresh out of the academy, but he comes from a very large Boston family with a long firefighting tradition. Due to this family legacy, Owen feels that it is his duty to become a firefighter. He continues to believe this even after learning that he and Cassie (whom he agrees is the better firefighter) must compete against each other for the same job. It is later revealed that Owen’s dedication to firefighting is in part due to the guilt he feels over an incident that took place in his childhood, when he and a friend accidentally started a fire that killed his uncle. He has more anxiety about the work than most firefighters Cassie knows, and she soon learns that he is quite skilled in the kitchen and would much rather go back to working as a chef.

Much like Cassie, he struggles to forgive himself for the events of the past, even though he was a child when they happened. Though he doesn’t enjoy firefighting, Cassie can see that, like all other firefighters, Owen is a helper and genuinely wants to do good in the world. He is the only firefighter at station two who believes in Cassie from the beginning, but he also sees the tender side of her that she hides beneath her toughness. His vulnerability brings out the vulnerability in Cassie, though she tries to hide her feelings from him most of all. When he tells her he thinks she needs a hug, Cassie’s walls go up, though she is baffled by how well he can read her. At other moments too, they seem to share this unspoken connection, such as when Cassie wants him to come back after a fight and he does, even when she tells him to leave. Similarly, Cassie is the first one Owen tells many of the secrets he has never told anyone else before, illustrating how deep their emotional bond is even when they are trying to ignore it.

In many ways, Owen is also a foil for Cassie, especially as it relates to their profession. Cassie notices early on that “he fit[s] in better than [she] [does]” and describes him as looking like the perfect image of a firefighter, saying, “Everything about his tall, broad, earnest demeanor shouted ‘helper.’ He looked the part” (137). In contrast, their coworkers don’t even recognize that Cassie is a firefighter, despite her being in uniform, when they first meet her and hardly treat her like one even after she has proven her experience and skill. Though he has only just left the academy and has yet to go on a call, Cassie sees that Owen “[is] right out of Central Casting” from the beginning and that he will fit in with the other firefighters in ways she never can (137). Despite this, Owen earnestly roots for her even when no one else will, which ultimately gives her the courage to start rooting for herself too.

DianaDiana

Ever since Cassie’s 16th birthday, when her mother left her and her father to be with another man, Cassie has viewed her as one of the main antagonists of her life. She calls her by her first name, Diana, to avoid acknowledging the mother-daughter relationship between them. At the beginning of the novel, Cassie knows little about her mother's life, as she avoids any meaningful conversation with her. After Cassie moves to Massachusetts and begins to spend more time with her mother, she describes their relationship as “complicated,” as her resentment becomes mixed with “sorrow, regret, loneliness, protectiveness, admiration, [and] affection” (87). She soon recognizes that Diana is far more complex than she thought her to be. Diana is arguably the most emotionally mature and experienced primary character in the novel, as she has learned the importance of letting go of the past so she can live in the present—a lesson that Cassie and Owen have to learn over the course of the story. It is clear from the way she details step-by-step instructions for Cassie to forgive her that she has gone through this journey of forgiveness multiple times before and has even forgiven herself for the things that Cassie cannot.

Diana’s view of the world is also far less black and white than Cassie’s. She seeks nuance in all situations, a habit Cassie finds infuriating. While Cassie believes love is useless because it will not stop people from suffering, Diana’s viewpoint is summarized by her declaration that “[i]t’s so hard to feel happy and sad at the same time” (345). Even if happiness brings sadness in its wake, Diana believes it’s worth pursuing anyway. Though she refuses to use an experimental drug with harmful side effects to treat her malignant tumor, she declares that “[she is] fighting. In [her] own way” through meditation and the simple things she does during her illness to bring herself joy (348). By not telling Cassie about her diagnosis, she also shows the complexity of the emotions she has gone through, as she has felt the pain of loving someone who is dying and wishes to spare Cassie that experience. Though Diana’s breezy and lively character begins as a foil to Cassie’s strict routine and structure, as Cassie learns more about herself and what is meaningful to her life, she becomes more like Diana.

The Station Two Crew

Along with Cassie and Owen, Six-Pack, Case, Tiny, and DeStasio make up the remainder of the crew on c-shift at station two of the Lillian fire department, with Captain Murphy as their leader. Six-Pack, Case, and Tiny (whose nicknames describe their appearances) all have similar feelings about Cassie throughout the novel, and they function narratively more as a unit than as individuals. At first, they are all surprised and somewhat dismayed that the department’s new firefighter is a woman. They are even more surprised when she reveals herself to be a capable firefighter, but as the story progresses, Cassie begins to grow on them, and they accept her into their band of brothers. Captain Murphy is harder to convince. Though he, too, eventually comes to realize how capable Cassie is, he is far more stuck in his ways and hates the idea of any change to the station, as evidenced by his anger at Cassie for writing grant proposals to get the life-saving equipment they need. Though Cassie notices that he never rejects or gets rid of any of the new equipment, he never brings it up again and never gives her credit, even when she uses the cyanide poisoning antidote to save Owen’s life. Murphy believes his old friend DeStasio, who falsely takes credit for Owen’s rescue, solely because that is the way that things in their department have always been done.

While the crew’s misogyny is certainly misguided and based on the prejudicial practices of the past, DeStasio’s hatred of Cassie turns into something far more intentionally malicious and dangerous. In part, Cassie attributes this to his addiction and the trauma that led him to it, but she also sees how he is “clutching so hard at the past that [he] strangle[s] it,” as Cassie accuses him of doing after she confronts him about being her stalker (450). All the other firefighters are clearly holding onto the past based on the antiquated ways they deal with having a woman at their station, but only DeStasio allows his grief and suffering to make him cruel, the one thing Cassie knows a firefighter can never be if they want to do their job properly. Though the station two crew begin the novel as Cassie’s adversaries, she also learns about the nature of change and forgiveness through their own character growth, especially DeStasio’s. Her forgiveness of DeStasio and the crew for all the horrible things they have done to set back her life and career is a climactic moment of Things You Save in a Fire: the moment Cassie recognizes the importance of leaving her anger in the past.

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