43 pages • 1 hour read
In the present, Erika learns that her mother, Sylvia, is doing poorly again and knows she must intervene.
Pam, Clementine’s mother, tries to help Clementine rebuild her relationship with Sam. Clementine and Sam attempt to have a date, but they both are still shaken by memories of the barbecue. Clementine talks to her mom afterward and says that she has no choice and will say yes to Erika’s request. Clementine is distressed about her and Sam’s loss of sexual connection, and she is reminded of the sexual guilt still lingering from the barbecue.
Tiffany notices that her family is not handling their distress over the barbecue well, and Dakota is punishing herself.
On the day of the barbecue, Erika takes anti-anxiety medication before Clementine and Sam arrive. She and Oliver tell their guests that they’ve been going through IVF. Clementine is surprised that they’d kept it a secret. Erika feels like she made a mistake in not confiding in Clementine and that as a result, she has put a bump in their friendship. Then, Erika and Oliver ask if Clementine will donate her eggs. In the discussion that follows, Erika mentions that Clementine said she’d “rather poke her eyes out than have another baby.” However, Clementine has never shared this with Sam, who still wants another baby. Clementine knows instantly that she doesn’t want to donate her eggs but is conflicted because she thinks that a good friend would do it without question.
The couples table the discussion and head over to the barbecue. Clementine, Sam, Vid, and Tiffany are out to have fun and flirt. Oliver struggles with social situations and is trying very hard to be congenial. Erika feels the effects of the anti-anxiety medication, especially when combined with champagne. An old argument between Sam and Clementine comes up as part of the lighthearted dinner conversation about parenting styles. Vid and Tiffany weigh in, one arguing for each side. Both Clementine and Vid lost track of their child in public at one point, while Tiffany and Sam are very vigilant. The “feckless,” or irresponsible, parents, as Vid calls them, form a team against Tiffany and Sam.
In the present, Clementine calls to tell Erika she wants to donate her eggs. She claims that she would have said yes if the events of the barbecue hadn’t happened, but Erika says they both know that’s a lie.
There is a flashback to the barbecue. Erika overhears Clementine tell Sam that the thought of giving her eggs to Erika is “repulsive,” and she doesn’t want to do it. Erika, thinking back to her traumatic childhood, feels that she is what is repulsive.
These chapters build on the themes of The Complexities of Friendship and The Trials of Marriage and introduce the theme of Parenthood: Responsibility and Guilt.
Erika and Clementine’s friendship comes to the forefront. Erika is ashamed of her childhood—of being “that dirty, flea-bitten kid.” Clementine harbors resentment for her forced friendship with Erika. The request for Clementine’s egg donation brings these stresses in their friendship to the surface. Clementine pities Erika and feels obligated to donate her eggs even though that is not what she wants. Erika, who feels the weight of Sylvia’s upbringing, longs for a piece of Clementine’s perfect life.
Although Clementine and Sam appear to have a happy life, they are disconnected. They are unable to openly discuss their feelings and problems. As a result, they have been unable to connect sexually. Sex and desire is a motif that highlights the theme of The Trials of Marriage. Throughout the narrative, sex becomes associated with the barbecue in a negative way. Because the couples were distracted by cheeky banter with Vid and Tiffany, the parents did not see Ruby go into the water. The dialogue about responsible parents versus feckless parents is positioned as simple, trivial conversation. However, the topic foreshadows the events of the barbecue and the conflicts in Sam and Clementine’s relationship. The alignment of Vid and Clementine’s and Tiffany and Sam’s parenting styles also foreshadows budding sexual tension between them.
Moriarty intertwines the thread of guilt with sex, which adds a layer of complexity to the characters’ present emotional states. To further build on guilt, Moriarty—as she typically does in her books—uses the motif of secrets and lies to thematically propel character development. To the reader, the three couples have a collective “secret,” which is the events of the barbecue. However, each couple has hidden truths that are unique to that family. The characters can’t begin to heal—individually and in their partnerships—until their respective secrets and/or lies are revealed.
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By Liane Moriarty
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