52 pages • 1 hour read
Before Craig and Harry start their Big Kiss, Tariq brings them a bust of Walt Whitman and recites the poem “We Two Boys Together Clinging.” Whitman is a source of inspiration for the boys, particularly through this poem, in which the speaker seems to allude to a romantic encounter with another man. Whitman never publicly addressed his sexuality, but some scholars believe that his poetry alluded to him being gay or bisexual. Levithan and the gay characters in the book, both the voices from the past and the kids in the present, accept Whitman as an undoubtedly queer poet. The poem itself becomes a sort of rallying cry when the Big Kiss becomes tough for Harry and when it feels as if they won’t make it to the end. Tariq recites the poem, and the crowd turns it into a chant.
The kiss itself becomes a symbol, representing different things to the different characters. For Neil and Paul, it represents love’s endurance against all odds. They watch the livestream together, and even take a shot at kissing for a length of time. For Avery, it represents defiantly being yourself in the midst of people telling you that you can’t. He hears the way the people on the radio disparage gay people in response to the kiss, and as a gay and transgender boy, he's spent most of his life hearing such negative comments. For Tariq, it represents bravery. To watch his friends kiss in such a deliberate and public forum reminds him that he shouldn’t be afraid of the people who would do him harm for being queer. For Harry and Craig, themselves, it represents all of those things. They both still care deeply for each other, and Harry participates more because Craig wants to break the record. Craig, likewise, still has romantic feelings for Harry, and wants to be close to him. They both also want to show that boys can kiss and that it shouldn’t be condemned. Craig endures the kiss while being rejected by his family. It’s a challenge both physically and mentally, and the kiss helps so many people. The only highlighted character who doesn’t interact with the kiss in any way is Cooper, who is also the most disconnected character. His lack of interaction with the Big Kiss symbolizes his lack of connection to the world.
Levithan writes from the perspective of the gay men of the past—those who died during the 1980s AIDS crisis—whose collective voice narrates the book. The narration style is an overt reference to the chorus of Greek theatrical tradition, in which a group of performers would intermittently comment on the play’s dramatic action. While the chorus are not traditionally omniscient, they do have distinct empathic connection to both the characters and the audience, often relaying what the characters feel but are unable to say and facilitating the appropriate emotional response in the audience. Because contemporary readers are most likely to associate a chorus with the tragic genre, the reader might expect the novel to be similarly tragic. However, the choral tone in the novel is distinctly hopeful and even shows a sense of humor. However, the chorus emphatically resemble that of a tragic play when they watch the self-destructive Cooper walk along the bridge, and they beg him to stop.
The chorus compare their own experiences to the experiences that LGBTQ youth are living through today. The chorus watch, reminisce, and marvel at the way the country has changed favorably for queer youth, but they also hurt when the characters suffer.
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By David Levithan