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Content Warning: This section contains references to suicidal ideation.
Smith stays inside an apartment he shares with Tanya after he hears Bucky has been shot. The shooting occurred as people turned on one another when the FBI started their investigation. Tanya and Will are now a couple. She comforts him for a while but then decides that he needs to get back to his life. She convinces him to go hang out at The Arsenio Hall Show. Charlie and Smith spend almost every day on the set, and Charlie keeps introducing him to every celebrity he sees. One day, Will meets Benny Medina, who asks him if he knows how to act. Will says that he does. Medina has been planning on making a show around his experience as a teenager living with a Jewish family and going to Beverly Hills High School.
Smith gets a call from Quincy Jones at Warner Brothers asking him to attend his birthday party that night because he and Medina want to pitch a TV show to Smith. Smith gets to the party, and everybody necessary to get a show approved is there. At the party, he finds out that they want him to read some lines. He tries to put it off so he can practice for a couple of weeks, but Quincy convinces him that the time must be now. The decision makers like what they see, and a deal memo is drawn up on the spot. Quincy keeps repeating, “NO PARALYSIS THROUGH ANALYSIS” (186). They plan to name the show The Fresh Prince of Bel-Air. The first episode airs in 1990. Smith loves acting because it makes him feel free.
Smith talks about the novel The Alchemist by Brazilian author Paulo Coelho. It is the first book he ever falls in love with because he identifies strongly with Santiago, the novel’s protagonist, who spends the story in pursuit of his dream. The book gives him the courage to suffer for the sake of his goals. As Smith writes, “The great feat of an alchemist is that they can do the impossible. They can turn lead into gold. This concept erupted in my mind—the ability to take anything that life gives you and turn it into gold” (189). He sees Quincy as an alchemist and wants to become one himself.
Benny starts to work as Will’s manager because JL is not in LA. Smith convinces JL to spend a quarter of his month in LA by telling him he will record an album if he does. Jeff becomes a fan favorite on Will’s show. The show is a tremendous success, but Smith immediately starts looking toward the future because he does not want to find himself once again in a position where one thing ends without having another thing to take its place.
Because Will grew up amid violence, he sees violence everywhere. One day, Smith, Benny, JL, and Benny’s partner, Jeff Pollack, are summoned by studio executives because they do not like that Smith refused to say a line that felt inauthentic. When JL and Smith feel threatened, they get ready to fight, but Benny steps in and de-escalates the situation. Smith realizes that their violent backgrounds caused them to misread the situation.
Smith wants to be financially successful, have freedom, and have fun. His goal is to be the world’s biggest movie star, and he and JL set out to try to accomplish this. They decide that a movie star needs to be able to fight, be funny, and be sexy. They decide that the best movies have “special effects, creatures, and a romantic storyline” (214).
Smith begins to argue with Tanya because of her marijuana use, and the two break up over it. Smith meets Jada Pinkett, who was turned down for the Fresh Prince cast but was subsequently cast on the show A Different World. When he goes to watch the filming of her show, he does not meet her there, but he does meet a woman named Sheree. Willard Carroll Smith III, Trey, is born to Sheree and Smith in 1992.
Smith is offered $10 million to be in 8 Heads in a Duffel Bag, but he turns it down because neither he nor JL believes it is the right move for his career. Instead, he accepts a $300,000 offer to be in Six Degrees of Separation. Sheree and Trey move to New York with Smith during the filming. Because his character is so different from himself, he decides to employ method acting and lives his life as if he were his character. This causes him to lose touch with who he is, which harms his marriage. It also causes problems on the sitcom set because he has difficulty getting back into his Fresh Prince character.
One day, Smith needs a haircut, and his normal stylist is unavailable. He convinces a man to cut his hair for $1,000, and he tells the man afterward to go to Sheree to get the money. He later finds out that she only gave him $400 because she only had $1,000 and did not want to be out of money over the weekend while the banks are closed. He then says to her the words he most regrets in life: “[M]aybe one day you’ll be worth something” (230). Sheree takes some time away to figure things out. Meanwhile, Smith gets together with Jada, who hears a voice saying that Will will be her husband. Sheree wants to get back together with Smith, and Smith feels that he cannot break his vows even though he desperately wants to be with Jada.
Smith gets his divorce papers on Valentine’s Day. Sheree claims that Smith was “in love with the idea of her” rather than the actual her (235). Smith is so upset with what he believes this means for his son that he contemplates suicide. Quincy advises Smith to give Sheree half of what he has and sign the papers because, through their son, Smith will be connected to Sheree for the rest of their lives.
Smith contacts Jada after he receives the papers. She has gone back to Baltimore but returns to LA after she gets the call from Smith. Smith considers conversation to be the heart of his relationship with Jada.
Martin Lawrence calls Smith, wanting to make a movie together. They read through a script called Bad Boys, and while they know they will have to rework it all, they decide to make it. Smith works out incessantly so that he looks good while running on television. Meanwhile, Sheree decides she wants to make the marriage work, and when Smith tells Jada this, she says that he should take her up on the offer because he should do all he can to make sure his son has both of his parents home. He ends up signing the divorce papers.
In Chapter 9, Smith states that he has hit rock bottom. In both Chapter 9 and Chapter 10, Smith needs other people to help him get out of his slump. This demonstrates that incredibly motivated people need others to help them through difficult times. In the previous section, Smith and Jazzy Jeff needed Daddio to come to the Bahamas to convince them to stop wasting their time and actually make a record. In Chapter 10, Smith needs Tanya to help him get out of his slump after Bucky’s death. From the beginning, Smith is shown to be a hard and determined worker. His failings, therefore, are not due to a lack of motivation. Rather, they are due to the overwhelming nature of early success, heartbreak, and past and present trauma. While Smith’s goal throughout life is to raise himself up so he can bring others along with him, as he narrates the role Daddio and Tanya played in helping him out of slumps, he relies equally on others to raise him up. Because he is willing to accept help and learn the lessons life teaches him, he is able to grow.
Chapter 11 expands on the theme of Money and Fame Cannot Buy Happiness and connects it to The Importance of Parental Involvement. Smith states that even though his television show is a tremendous success, he still feels uneasy because he knows things can change at any minute. He learned this lesson when his music stopped performing as well as it used to. He also was predisposed to look for something bad to happen because, as he explains at the beginning of the book, his father’s temper could prove disastrous to his mother at any time, and he learned as a child to stay hypervigilant even when things seemed okay. At this point in his life, this vigilance serves him well because it allows him to plan for the future. It benefits his career. Still, even as it propels his career, this innate tendency robs him of the ability to feel happy with the success he has achieved so far. This theme will re-emerge in later chapters as his hypervigilance and inability to appreciate his own success start to wear on Smith as a person, and he has to learn to be okay with stillness. At this point, however, he sees this tendency to plan for contingencies to be necessary.
As he had as a child and in the hip-hop industry, Smith continues to feel as though he is straddling different worlds as his acting career takes off. In Chapter 11, the consequences of this almost prove disastrous. Smith writes,
[W]hen you grow up in violent environments, your mind adapts to perceive threats everywhere. You reason that you cannot afford to get caught up slipping even once. You begin to respond to a perceived threat and to actual violence equally, even though they’re very different things (197).
As a result, they misread a conflict with the executives in charge of Fresh Prince as a threat and almost resort to violence themselves. The title of this chapter, “Adaptation,” points to the way the two men respond to the mistake they made. They realize that the consequences could have been dire if they had acted on their instincts since they are now living in a different world with different rules. Because of this insight, they can adapt as necessary to the new world with new expectations. While Smith feels a disconnect between the streets of Philadelphia and the executive offices in Hollywood, he adapts his behavior and saves his career.
When deciding to divorce Smith, Sheree claims that Smith is “in love with the idea of her” rather than the actual person she is (235). This is an important theme in the memoir: that Smith sees people as he wants to see them rather than as they actually are. This is a problem that will continue to plague him, as his future daughter will eventually say something very similar about him. Smith has a clear idea of what he wants in life. His relationship with Sheree works out for a while because he likes being the protector and provider, while she likes being the homemaker. Ultimately, however, she decides that she cannot live up to the vision of her that he has painted in his head. It will take many years, until the end of the memoir, before Smith starts to learn about the importance of people’s feelings and their need to be understood.
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